For eloquence _per se_--considered merely as an art of pleasing--I
entertain something of the respect evoked by success; for it always
pleases at least the speaker. It is to speech what an ornate style is to
writing--good and pleasant enough in its time and place and, like
pie-crust and the evening girl, destitute of any basis in common sense.
Forensic eloquence, on the contrary, has an all too sufficient
foundation in reason and the order of things: it promotes the ambition
of tricksters and advances the fortunes of rogues. For I take it that
the Ciceros, the Mirabeaus, the Burkes, the O'Connells, the Patrick
Henrys and the rest of them--pets of the text-bookers and scourges of
youth--belong in either the one category or the other, or in both.
Anyhow I find it impossible to think of them as highminded men and
right-forth statesmen--with their actors' tricks, their devices of the
countenance, inventions of gesture and other cunning expedients having
nothing to do with the matter in hand. Extinction of the orator I hold
to be the most beneficent possibility of evolution. If Mr. Goss has done
anything to retard that blessed time when the Bourke Cockrans shall
cease from troubling and the weary be at rest he is an enemy of his race.
"What!" exclaims the thoughtless reader--I have but one--"are not the
great forensic speeches by the world's famous orators good reading?
Considering them merely as literature do you not derive a high and
refining pleasure from them?" I do not: I find them turgid and tumid no
end. They are bad reading, though they may have been good hearing. In
order to enjoy them one must have in memory what, indeed, one is seldom
permitted to forget: that they were addressed to the ear; and in
imagination one must hold some shadowy simulacrum of the orator himself,
uttering his work. These conditions being fulfilled there remains for
application to the matter of the discourse too little attention to get
much good of it, and the total effect is confusion. Literature by which
the reader is compelled to bear in mind the producer and the
circumstances under which it was produced can be spared.
NATURA BENIGNA
Public-domain text, read in full here on John Shaqi.
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