Fantasy fiction; Utopian fiction; Utopias -- Fiction
He knew his deception, but it was better, he thought, to let her live
without the knowledge of the utter impossibility of the fulfillment of
her hopes, than to tell her the truth, and break her heart. She would
outgrow her girlish love, he argued, and time would soften, if not
deaden, the sorrow of his continued absence.
For a half-hour they talked, they loved, this man of thirty-three and
the girl of seventeen.
Who can fathom the mysteries of love!
Leaving her in sorrow at his coming departure, but hopeful for the
future, he moved toward the workshop of Colchis, while a choking
sensation surrounded his heart, and tears filled his eyes.
Turning the knob of the last door at the end of the hall, Cobb
entered, and found his friend moving toward him.
The room was lighted by four Edison incandescent lamps, one in each
corner, besides an arc light directly over a large and peculiar machine
from which sparks were incessantly being emitted.
Like all true workers in electricity, Colchis' apartments were a
net-work of wires, while the various parts of the house were connected,
in one way or another, for quick communication. The answer to the
summons which Cobb had made at the door was given by a speaking-tube,
while the door itself opened and closed by magnets; thus Colchis was
enabled to remain in his room while answering the calls at his door
made by the few who had occasion to visit him.
"Ah, Junius, my boy, welcome to the shop!" and the old man grasped the
latter's hand. "I was expecting you this morning, sure; for it is now
over forty-eight hours since you were here. What has kept you away?"
"Duty, master; duty." Cobb had early used the term master, in token of
the ability of his old but generous friend.
"I was engaged the past two nights, and it was impossible for me to get
here; but how progresses the work? Are you making a good showing, for
you know the time is drawing near when I shall want the full amount."
"Yes; there are nearly eight pounds ready for you when you desire to
take them."
"Good! It is close to the amount, I must say; and the batteries are
still at it, I see."
"Will you take a look at the work of the day?"
"Yes; but yet, master, you know that I do not pretend to pass upon your
work. I am too well satisfied that it is being well done."
They moved toward the sparkling and crackling instrument near the
further corner of the room.
Public-domain text, read in full here on John Shaqi.
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