Vandenesse and his wife again met Raoul Nathan at this ball, which was
remarkable for the meeting of several personages of the political drama,
who were not a little astonished to find themselves together. It was
one of the first solemnities of the great world. The salons presented
a magnificent spectacle to the eye,--flowers, diamonds, and brilliant
head-dresses; all jewel-boxes emptied; all resources of the toilet put
under contribution. The ball-room might be compared to one of those
choice conservatories where rich horticulturists collect the most superb
rarities,--same brilliancy, same delicacy of texture. On all sides
white or tinted gauzes like the wings of the airiest dragon-fly, crepes,
laces, blondes, and tulles, varied as the fantasies of entomological
nature; dentelled, waved, and scalloped; spider’s webs of gold and
silver; mists of silk embroidered by fairy fingers; plumes colored by
the fire of the tropics drooping from haughty heads; pearls twined in
braided hair; shot or ribbed or brocaded silks, as though the genius of
arabesque had presided over French manufactures,--all this luxury was in
harmony with the beauties collected there as if to realize a “Keepsake.”
The eye received there an impression of the whitest shoulders, some
amber-tinted, others so polished as to seem colandered, some dewy, some
plump and satiny, as though Rubens had prepared their flesh; in short,
all shades known to man in white. Here were eyes sparkling like onyx or
turquoise fringed with dark lashes; faces of varied outline presenting
the most graceful types of many lands; foreheads noble and majestic,
or softly rounded, as if thought ruled, or flat, as if resistant will
reigned there unconquered; beautiful bosoms swelling, as George IV.
admired them, or widely parted after the fashion of the eighteenth
century, or pressed together, as Louis XV. required; some shown boldly,
without veils, others covered by those charming pleated chemisettes
which Raffaelle painted. The prettiest feet pointed for the dance, the
slimmest waists encircled in the waltz, stimulated the gaze of the most
indifferent person present. The murmur of sweet voices, the rustle of
gowns, the cadence of the dance, the whir of the waltz harmoniously
accompanied the music. A fairy’s wand seemed to have commanded this
dazzling revelry, this melody of perfumes, these iridescent lights
glittering from crystal chandeliers or sparkling in candelabra. This
assemblage of the prettiest women in their prettiest dresses stood
out upon a gloomy background of men in black coats, among whom the eye
remarked the elegant, delicate, and correctly drawn profile of nobles,
the ruddy beards and grave faces of Englishmen, and the more gracious
faces of the French aristocracy. All the orders of Europe glittered on
the breasts or hung from the necks of these men.
Public-domain text, read in full here on John Shaqi.
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