Authors, American -- 19th century -- Biography; Authors, American -- 20th century -- Biography; Garland, Hamlin, 1860-1940
It was Franklin's first night at home since mother went away, and I
labored to cheer him with the fiction that she was "on a visit" to some
of her old friends and would soon return.
The Junior as I called him, was in a serious mood for another reason.
After more than twelve years of life as an actor, he had decided to quit
the stage, something the player is traditionally supposed to be
incapable of doing, and he had come to me for aid and encouragement. "I
have a good opportunity to go into the management of a rubber
plantation," he explained, "and I'd like to have you buy out my share in
the Homestead in order to give me a little money to work on."
To this I agreed, although I had grave doubts of the rubber business. To
have him give up the stage I considered a gain, for while he was a
capable player of middle-aged character parts, I saw no lasting success
ahead of him--on the contrary I imagined him getting into a more and
more precarious condition. Nothing is more hopeless than an elderly
actor out of a job and subject to the curt dismissals of contemptuous
managers. Frank had always been gayly unconcerned about the future and
he was not greatly troubled now; he was merely desirous of a fixed home
and a place to vote. With the promise of my cash for his share of the
Homestead, and my support in his Mexican venture, he cheered up markedly
and went away almost as carefree as a boy.
In the quiet of the days which followed I worked each morning, sometimes
on _The Steadfast Widow Delaney_, and sometimes on a revision of the
novel which I had variously and from time to time called _On Special
Duty_, and _The Captain of the Gray Horse Troop_. Having been accepted
by Lorimer, this story was about to be printed under this latter title
as a serial in the _Post_.
Each afternoon I saddled my Klondike horse who was in need of exercise,
and galloped about over the hills for an hour or two. We were familiar
figures by this time, and the farmers when they saw me leaping a pasture
fence or climbing a hill, would smile (I assume that they smiled), and
say, there goes that literary cuss, or words to that general effect. I
took a boyish delight in showing that Ladrone would walk a log or leap a
ditch at the mere touch of my heel.
Public-domain text, read in full here on John Shaqi.
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