Authors, American -- 19th century -- Biography; Authors, American -- 20th century -- Biography; Garland, Hamlin, 1860-1940
My father, a typical pioneer, who had grown gray in opening new farms,
one after another on the wind-swept prairies of Iowa and Dakota, was not
entirely content with my plan but my mother, enfeebled by the hardships
of a farmer's life, and grateful for my care, was glad of the
arrangement I had brought about. In truth, she realized that her days of
pioneering were over and the thought of ending her days among her
friends and relatives was a comfort to her. That I had rescued her from
a premature grave on the barren Dakota plain was certain, and the hope
of being able to provide for her comfort was the strongest element in my
plan.
After ten years of separation we were agreed upon a project which would
enable us as a family to spend our summers together; for my brother,
Franklin, an actor in New York City, had promised to take his vacation
in the home which we had purchased.
As this homestead (which was only eight hours by rail from Chicago) is
to be one of the chief characters in this story, I shall begin by
describing it minutely. It was not the building in which my life
began--I should like to say it was, but it was not. My birthplace was a
cabin--part logs and part lumber--on the opposite side of the town.
Originally a squatter's cabin, it was now empty and forlorn, a dreary
monument of the pioneer days, which I did not take the trouble to enter.
The house which I had selected for the final Garland homestead, was
entirely without any direct associations with my family. It was only an
old frame cottage, such as a rural carpenter might build when left to
his own devices, rude, angular, ugly of line and drab in coloring, but
it stood in the midst of a four-acre field, just on the edge of the
farmland. Sheltered by noble elms and stately maples, its windows
fronted on a low range of wooded hills, whose skyline (deeply woven into
my childish memories) had for me the charm of things remembered, and for
my mother a placid beauty which (after her long stay on the treeless
levels of Dakota) was almost miraculous in effect. Entirely without
architectural dignity, our new home was spacious and suggested the
comfort of the region round about.
Public-domain text, read in full here on John Shaqi.
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