Miss Kimpsey did not know Mrs. Bell at all well. Mrs.
Bell was president of the Browning Club, and Miss Kimpsey
was a member, they met, too, in the social jumble of
fancy fairs in aid of the new church organ; they had a
bowing acquaintance--that is, Mrs. Bell, had. Miss
Kimpsey's part of it was responsive, and she always gave
a thought to her boots and her gloves when she met Mrs.
Bell. It was not that the Spartan social circle which
Mrs. Bell adorned had any vulgar prejudice against the
fact that Miss Kimpsey earned her own living--more than
one of its ornaments had done the same thing--and Miss
Kimpsey's relations were all "in grain" and obviously
respectable. It was simply that none, of the Kimpseys,
prosperous or poor, had ever been in society in Sparta,
for reasons which Sparta itself would probably be unable
to define; and this one was not likely to be thrust among
the elect because she taught school and enjoyed life upon
a scale of ethics.
Mrs. Bell's drawing-room was a slight distraction to Miss
Kimpsey's nervous thoughts. The little school-teacher
had never been in it before, and it impressed her. "It's
just what you would expect her parlor to be," she said
to herself, looking furtively round. She could not help
her sense of impropriety; she had always been taught that
it was very bad manners to observe anything hi another
person's house, but she could not help looking either.
She longed to get up and read the names of the books
behind the glass doors of the tall bookcase at the other
end of the room, for the sake of the little quiver of
respectful admiration she knew they would give her; but
she did not dare to do that. Her eyes went from the
bookcase to the photogravure of Dore's "Entry into
Jerusalem," under which three Japanese dolls were arranged
with charming effect. "The Reading Magdalen" caught them
next, a colored photograph, and then a Magdalen of more
obscure origin in much blackened oils and a very deep
frame; then still another Magdalen, more modern, in
monochrome. In fact, the room was full of Magdalens, and
on an easel in the corner stood a Mater Dolorosa, lifting
up her streaming eyes. Granting the capacity to take them
seriously, they might have depressed some people, but
they elevated Miss Kimpsey.
Public-domain text, read in full here on John Shaqi.
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