any one she liked in a way which excited the desire to
do it. Janet had to reproach herself, when she thought
of it, that this sort of liking seldom came by entirely
approved channels, and hardly ever found an object in
her visiting-list. Its first and almost its only essential,
to speak boldly, was an artistic susceptibility with some
sort of relation to her own, which her visiting-list did
not often supply, though it might have been said to
overflow with more widely recognized virtues. For that
Miss Cardiff was known to be willing to sacrifice the
Thirty-nine Articles, respectable antecedents, the
possession of a dress-coat. Her willingness was the more
widely known because in the circle which fate had drawn
around her--ironically, she sometimes thought--it was
not usual to sacrifice these things. As for Janet's own
artistic susceptibility, it was a very private atmosphere
of her soul. She breathed it, one might say, only
occasionally, and with a kind of delicious shame. She
was incapable of sharing her caught-up felicity there
with any one, but it was indispensable that she should
see it sometimes in the eyes of others less contained,
less conscious, whose sense of humor might be more slender
perhaps. Her own nature was practical and managing in
its ordinary aspect, and she had a degree of tact that
was always interfering with her love of honesty. Having
established a friendship by the arbitrary law of sympathy,
it must be admitted that she had an instinctive way of
trying to strengthen it by voluntary benefits, for
affection was a great need with her.
Public-domain text, read in full here on John Shaqi.
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