It was only about this time and very gradually that she
began to realize how much more she cared for John Kendal
than for other people. Since it seemed to be obvious
that Kendal gave her only a share of the affectionate
interest he had for humanity at large, the realization
was not wholly agreeable, and Janet doubtless found
Elfrida, on this account, even a more valuable distraction
than she otherwise would. One of the matters Miss Bell
was in the habit of discussing with some vivacity was
the sexlessness of artistic sympathy. Upon this subject
Janet found her quite inspired. She made a valiant effort
to illumine her thoughts of Kendal by the light Elfrida
threw upon such matters, and although she had to confess
that the future was still hid in embarrassed darkness,
she did manage to construct a theory by which it was
possible to grope along for the present. She also cherished
a hope that this trouble would leave her, as a fever
abates in the night, that she would awake some morning,
if she only had patience, strong and well. In other things
Miss Cardiff, was sometimes jarred rather than shocked
by the American girl's mental attitudes, which, she began
to find, were not so posed as her physical ones. Elfrida
often left her repelled and dissenting. The dissent she
showed vigorously; the repulsion she concealed, sore with
herself because of the concealment. But she could not
lose Elfrida, she told herself; and besides, it was only
a matter of a little tolerance--time and life would change
her, tone her inner self down into the something altogether
exquisite and perfect that she was, to look at, now.
Elfrida called the Cardiffs' house the oasis of Kensington,
and valued her privileges there more than she valued
anything else in the circumstances about her, except,
perhaps, the privilege she had enjoyed in making the
single contribution, to the _Decade_ of which we know.
That was an event lustrous in her memory, the more lustrous
because it remained solitary and when the editor's check
made its tardy appearance she longed to keep it as a
glorious archive--glorious that is to say, in suggestion,
if not particularly impressive intrinsically. In the end
she fought the temptation of giving herself a dinner a
day for a fortnight out of it, and bought a slender gold
bangle with the money, which she slipped upon her wrist
with a resolution to keep it there always. It must be
believed that her personal decoration did not enter
materially into this design; the bangle was an emblem of
one success and an earnest of others. She wore it as she
might have worn a medal, except that a medal was a public
voice, and the little gold hoop spoke only to her.
Public-domain text, read in full here on John Shaqi.
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