pride to you who live under a bell-glass, nurtured and cared for, and
with your name attached to a cleft-stick at your side,--is it not a
great pride to know that you are not like one of us poor dog-roses? Be
satisfied, then, with that glory; we only ask to live! Shame on me for
that “only”! As if there could be anything more delightful than life.
Life, with all its capacities for love and friendship and heroism and
self-devotion, for generous actions and noble aspirations! Life to feel
life, to know that we are in a sphere specially constructed for the
exercise of our senses and the play of our faculties, free to choose
the road we would take, and with a glorious reward if our choice be the
right one!
“'Vagabonds!' Yes,” thought I, “there was once on a time such a
vagabond, and he strolled along from village to village, making of his
flute a livelihood,--a poor performer, too, he tells us he was, but he
could touch the hearts of these simple villagers with his tones as
he could move the hearts of thousands more learned than they with his
marvellous pathos; and this vagabond was called Oliver Goldsmith.” I
have no words to say the ecstasy this thought gave me. Many a proud
traveller doubtless swept past the poor wayfarer as he went, dusty
and footsore, and who was, nevertheless, journeying onward to a great
immortality; to be a name remembered with blessings by generations when
the haughty man that scorned him was forgotten forever. “And so now,”
thought I, “some splendid Russian or some Saxon Croesus will crash by
and not be conscious that the thin and weary-looking youth, with the
girl's bundle on his stick and the red umbrella under his arm, that this
is Potts! Ay, sir, you fancy that to be threadbare and footsore is to
be vulgar-minded and ignoble, and you never so much as suspect that the
heart inside that poor plaid waistcoat is throbbing with ambitions high
as a Kaiser's, and that the brain within that battered Jim Crow is the
realm of thoughts profound as Bacon's, and high-soaring as Milton's.”
Public-domain text, read in full here on John Shaqi.
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