I send my heart up to thee, all my heart
In this my singing.
For the stars help me, and the sea bears part;
The very night is clinging
Closer to Venice' streets to leave one space
Above me, whence thy face
May light my joyous heart to thee its dwelling-place.
_She speaks._
Say after me, and try to say
My very words, as if each word
Came from you of your own accord,
In your own voice, in your own way:
"This woman's heart and soul and brain
Are mine as much as this gold chain
She bids me wear; which," (say again)
"I choose to make by cherishing
A precious thing, or choose to fling
Over the boat-side, ring by ring."
And yet once more say ... no word more!
Since words are only words. Give o'er!
Unless you call me, all the same,
Familiarly by my pet-name
Which, if the Three should hear you call,
And me reply to, would proclaim
At once our secret to them all.
* * * * *
_She speaks._
There's Zanze's vigilant taper; safe are we!
Only one minute more to-night with me?
Resume your past self of a month ago!
Be you the bashful gallant, I will be
The lady with the colder breast than snow:
Now bow you, as becomes, nor touch my hand
More than I touch yours when I step to land,
And say, "All thanks, Siora!"--
Heart to heart,
And lips to lips! Yet once more, ere we part,
Clasp me, and make me thine, as mine thou art!
(_He is surprised and stabbed._)
It was ordained to be so, Sweet,--and best
Comes now, beneath thine eyes, and on thy breast.
Still kiss me! Care not for the cowards! Care
Only to put aside thy beauteous hair
My blood will hurt! The Three, I do not scorn
To death, because they never lived: but I
Have lived indeed, and so--(yet one more kiss)--can die!
(_In a Gondola._)
The latter hours of the morning were devoted by the poet to work,
proof-sheets, and correspondence. He would complain bitterly of the
quantity of "ephemeral correspondence" which took up so much of his
time: yet, with the rarest exceptions, he answered every letter he
received. He counted that day lost in which he had not written at
least a little. In earlier life he had worked fast and copiously, but
now he was satisfied with twenty or thirty lines as the result of a
morning's work. And upon these lines he expended infinite trouble;
for, despite all suppositions to the contrary, he finished his work
with great care. "People accuse me of not taking pains!" he grumbled,
"I take nothing _but_ pains!"
Public-domain text, read in full here on John Shaqi.
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