Thomas Elwood was a young Quaker of twenty-three, who was acting in some
degree as honorary secretary to Milton. Himself of a defective education,
and having been expelled from his father's house on account of his
religious opinions, he was only too glad to take a lodging in the
neighbourhood, and, by reading aloud to Milton every afternoon, acquire
an amount of information and a variety of learning, which by no other
means could he have obtained. And there was also a tacit sympathy
between them, insomuch as Milton was, more and more, as life went on,
inclining towards the Quaker tenets,--in those days, _bien entendu_,
viewed with horror and detestation by the majority of men.
Having re-entered the house, "We will not read as yet, Tom," Milton said,
"I desire greatly to comfort myself with sweet sounds. Bring me into the
withdrawing-room, and place me at the organ. A little bellows-blowing
will not hurt thee, Tom. And let my wife attend me, that we may have
song withal. She hath a good voice, though a poor ear."
Seated at his beloved instrument, the blind man steeped himself in the
principal pleasure that was left him. Milton's father, stout Puritan
though he might be, was an accomplished musician, and had taught his
son to play in early youth. The austerities of a narrow dogma had not
been able to crush out the inveterate artistry of either father or
son: and now the devotee of "divinest Melancholy" was able to solace
himself with such lovely concords, such "anthems clear,"
"As may with sweetness, through mine ear,
Dissolve me into ecstasies,
And bring all heaven before mine eyes."
Sometimes he sang as he played; sometimes Mrs. Milton, with her clear
unemotional notes, sang to his accompaniment. Presently, that Elwood
should not be wearied in his blowing, he quitted the organ for the
bass-viol, on which he was no mean performer. At the conclusion of his
playing he sat with a rapt, transfigured face, such as might well have
called forth the Italian's encomium, thirty years before,--"If thy piety
were equal to thy understanding, figure, eloquence, beauty and manners,
verily thou wouldest not be an Angle but an Angel!"
"And, now, good Tom," quoth Milton to the young man, "let us to work: the
day moves on apace." They went upstairs to the study. "Before we read, I
have some forty lines to set down," continued the poet, "all day they
have been knocking for admission, and with that last music they made
entrance. Needs must I house them now in ink and paper."
"I am instant at thy bidding, friend," and Elwood seated himself with
dutiful alacrity at the table. Milton, placing himself obliquely athwart
his elbow-chair, with one leg thrown across the arm, dictated forty
lines, almost in a breath,--they burst from him, as it would seem, in a
stream no longer to be restrained.
"Gently, gently, good sir!" exclaimed Elwood, "slow-witted and slow
fingered I may be,--but I cannot keep pace with thee!"
Public-domain text, read in full here on John Shaqi.
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