Few short poems in the world have been so often sung as "Stars of the summer night"--"Good-night, beloved"--"The rainy day"--and other well-known verses. A most effective sense of sound and rhythm, joined with perfect simplicity of diction, evince the inherent artistry of a man who was no musician in the technical sense, but who could express himself in such lines as The night is calm and cloudless, And still as still can be, And the stars come forth to listen To the music of the sea. They gather, and gather, and gather, Until they crowd the sky, And listen in breathless silence, To the solemn litany. It begins in rocky caverns, As a voice that chants alone To the pedals of the organ In monotonous undertone; And anon from shelving beaches And shallow sands beyond, In snow-white robes uprising The ghostly choirs respond. And sadly and unceasing The mournful voice sings on, And the snow-white choirs still answer Christe eleison! _The Golden Legend._ After dinner, to which perhaps an intimate friend or two remained, the poet would remain awhile in his study: not actually at work, for his writing was only done in the morning hours, but considering and criticising work already accomplished, and carefully perusing that great translation of Dante which he considered, rightly or wrongly, as the most important work of his life. The twilight would slowly fade into the dusk of a "blindman's holiday," and then came the sweetest moment of the day. Longfellow's intense affection for all little ones, his touching kindness to them, his sympathy with their most trivial joys or troubles, were focussed and centred in the love he bore to his own dear, motherless children. Between the dark and the daylight, When the night is beginning to lower, Comes a pause in the day's occupations, That is known as the Children's Hour. I hear in the chamber above me The patter of little feet, The sound of a door that is opened, And voices soft and sweet. From my study I see in the lamplight, Descending the broad hall-stair, Grave Alice, and laughing Allegra, And Edith with golden hair. A whisper, and then a silence: Yet I know by their merry eyes They are plotting and planning together To take me by surprise. A sudden rush from the stairway, A sudden raid from the hall! By three doors left unguarded They enter my castle wall! They climb up into my turret, O'er the arms and back of my chair; If I try to escape they surround me; They seem to be everywhere. They almost devour me with kisses, Their arms about me entwine, Till I think of the Bishop of Bingen In his Mouse-Tower on the Rhine! Do you think, O blue-eyed banditti, Because you have scaled the wall, Such an old moustache as I am Is not a match for you all!