Coleridge, Samuel Taylor, 1772-1834; English poetry -- 19th century; Poets, English -- 19th century -- Biography
Coleridge, though so prolific a conversationalist, and so prone to speech,
knew when there was a time to be silent. He attempted no defence or
excuse. He simply went indoors, and sitting distastefully to an
unprepossessing supper, let Sara say her say upon the subject of Lloyd: it
was an extensive and a justifiable recrimination. Then--still in the same
abstracted and monosyllabic state,--he helped to wash up, attended--better
late than never--to the pigs and fowls, and sat before the fire, with a
note-book in his hands and baby-clothes pinned to warm upon his knees,
while Sara put the child to bed. He was working out with patient care
those apparently unpremeditated effects which go to make up the haunting
melody of _Christabel_. For, skilful and accomplished metrist as he was,
it was only by dint of "repeated experiments and intense mental effort"
that he achieved those results in which his art appears most artless.
However, he was in no fit state, over-tired and distressed as he felt, for
laborious efforts of this kind: and presently Nature took vengeance upon
him in the form of intolerable toothache. A little while he bore it: then,
moving tip-toe lest he should be heard in the upper room where Sara was
soothing the little one to sleep, he stole to a corner cupboard and took
out a bottle of laudanum. In this false friend and insidious comforter he
had already found relief and repose from mental, as from physical
troubles,--more and more frequently he had recourse to it. He knew its
fatal tendency to undermine the will and debilitate the constitution, yet
he could not deny himself an artificial peace which he described as "a
spot of enchantment, a green spot of fountains and trees in the very heart
of a waste of sand."
And immediately he began to view things _couleur de rose_. The sharp
tongue and angry face of Sara became transmogrified into the gentle
semblance of her anagram, the imaginary _Asra_ of his poems,--
To be beloved is all I need,
And whom I love I love indeed.
* * * * *
O ever--ever be thou blest!
For dearly, Asra! love I thee!
This brooding warmth across my breast,
This depth of tranquil bliss--ah, me!
Fount, tree and shed are gone, I know not whither,
But in one quiet room we three are still together.
The shadows dance upon the wall,
By the still dancing fire-flames made;
And now they slumber moveless all!
And now they melt to one deep shade!
But not from me shall this mild darkness steal thee:
I dream thee with mine eyes, and at my heart I feel thee!
The visions born of opium floated in vague, rich phantasmagoria across his
slumbrous brain,
And so, his senses gradually wrapt
In a half-sleep, he dreams of better worlds,
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account