"Then, of the Indian pot-herb, tobacco," the botanist proceeded, "give
me joy that I have had good fortune in three kinds thereof,--the
Henbane of Peru, the Trinidada Tobacco, and the pigmy or dwarfish
sort. But, indeed, this same tobacco is by no means to be commended as
a fume or smoking-medicine. The juice, boiled with sugar into a syrup,
is a sovereign cure for many maladies. I pray you, good Master
Shakespeare," said he, earnestly seizing the other's arm and
punctuating his words with a gentle see-saw movement, "believe me,
that any other herb of hot temperature will suffice for
pipe-smoking--rosemary, thyme, winter savory, sweet marjoram and
such-like."
"Faith, I am no great smoker," replied Shakespeare, as with a
dexterous jerk he eluded his friend and dived down an alley of damask
roses. "Here," said he, "I shall play the robber,--" He gathered a
rose and set it behind his ear in the most approved Court fashion. "I
would fain linger all day among these manifold sweetnesses," he added,
"but alack! I have need to hasten now. I pray you, therefore, give me
leave to depart." The herbalist, talking volubly, accompanied him to
the door.
The playwright turned down towards Blackfriars: on his way he entered
an apothecary's shop, and, heedless of Master Gerard's warnings,
purchased a "rich smoke" at sixpence a pipeful--(equivalent to,
perhaps, four shillings of our money). This was no cheap and
adulterated mixture, such as the "groundlings" used, but the very best
procurable: and, to emphasise its _recherché_ quality, it was kept in
a lily-pot, minced on a maple-block, served out with silver tongs, and
lighted from a little fire of juniper shavings. Shakespeare, having
thus filled his long clay pipe, proceeded to the Blackfriars shore,
where he took a ferry-boat across to Bankside in Southwark and entered
the _Globe_ Theatre, of which he was part proprietor. It may here be
explained that, every theatre having recently been banished from the
City as the very quintessence of disreputability and root of all evil,
the exiled players had taken refuge south of the river, in Bankside:
which, being a quarter singularly ill-famed, was considered by all
reputable citizens a most appropriate situation for them. The _Globe_,
like other public playhouses of the period, was roofless: three
stories high, with boxes all round in tiers, the ground tier paled
with oaken boards and fenced with strong iron pikes. The stage, which
had a "shadow" or cover over it, was some 40 ft. wide and extended to
the middle of the yard or pit. At the back of the stage was a balcony,
over the entrance from the "tiring-house" or dressing-rooms. It was
lighted, if necessary, by branched candlesticks, while "cressets"
(tarred ropes' ends in cages) were set in front of the boxes.
Public-domain text, read in full here on John Shaqi.
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