But it must not be supposed that anything in the nature of hypocrisy was involved in the assumption of the poetical rôle of inconsolable widow. Everybody understood that the poetess was only making poetry, and saying the usual and proper things for that purpose. She was no more attempting to impose on anybody than was a poet when on entering some "academia" he termed himself Tyrtæus or Lycidas, instead of the name inherited from his father. And from this prevailing absence of all real and genuine feeling, arises the utter coldness and shallow insipidity of the poets of that time and school. Literature has probably few more unreadable departments than the productions of the Petrarchists of the beginning of the sixteenth century. Vittoria, when she began to write on religious subjects, was more in earnest; and the result, as we shall see, is accordingly improved. CHAPTER VI. Vittoria in Rome in 1530.—Antiquarian rambles.—Pyramus and Thisbe medal.—Contemporary commentary on Vittoria's poems.—Paul the Third.—Rome again in 1536.—Visit to Lucca.—To Ferrara.—Protestant tendencies.—Invitation from Giberto.—Return to Rome. The noble rivalry of Francis I. and Charles V. was again, in 1530, making Naples a field of glory in such sort, that outraged nature appeared also on the scene with pestilence in her hand. The first infliction had driven most of the literary society in Naples to take refuge in the comparative security of Ischia. The latter calamity had reached even that retreat; and Vittoria some time in that year again visited Rome. Life was beginning there to return to its usual conditions after the tremendous catastrophe of 1527. Pestilence had there also, as usual, followed in the train of war and military license. And many in all classes had been its victims. Great numbers fled from the city, and among these were probably most of such as were honoured by Vittoria's personal friendship. Now they were venturing back to their old haunts on the Pincian, the Quirinal, or those favourite Colonna gardens, still ornamented by the ruins of Aurelian's Temple to the Sun. The tide of modern Goths, who had threatened to make the eternal city's name a mockery, had been swept back at the word of that second and "most Catholic" Alaric, Charles V. Cardinals, poetasters, wits, Ciceronian bishops, statesmen, ambassadors, and artists, busy in the achievement of immortality, were once more forming a society, which gave the Rome of that day a fair title to be considered, in some points of view, the capital of the world. The golden Roman sunlight was still glowing over aqueduct, arch and temple; and Rome the Eternal was herself again.