A Decade of Italian Women, vol. 1 (of 2)Trollope, Thomas Adolphus
History
A Decade of Italian Women, vol. 1 (of 2)
Trollope, Thomas Adolphus
Italy -- Biography; Women -- Biography
By this varied and distinguished society Vittoria was received with
open arms. The Colonna family had become reconciled to Pope Clement,
and had had their fiefs restored to them; so that there was no cloud
on the political horizon to prevent the celebrated Marchesana from
receiving the homage of all parties. The Marchese del Vasto, Vittoria's
former pupil, for whom she never ceased to feel the warmest affection,
was also then at Rome.[187] In his company, and that of some others of
the gifted knot around her, Vittoria visited the ruins and vestiges of
ancient Rome with all the enthusiasm of one deeply versed in classic
lore, and thoroughly imbued with the then prevailing admiration for
the works and memorials of Pagan antiquity. Vittoria's sister-in-law,
Donna Giovanna d'Aragona, the beautiful and accomplished wife of her
brother Ascanio, in whose house she seems to have been living during
this visit to Rome, was doubtless one of the party on these occasions.
The poet Molza has chronicled his presence among them in more than one
sonnet. His muse would seem to have "made increment of anything." For
no less than four sonnets[188] were the result of the exclamation from
Vittoria, "Ah happy they"—the ancients, "who lived in days so full
of beauty!" Of course, various pretty things were obtainable out of
this. Among others, we have the gallant Pagans responding to the lady's
ejaculation, that on the contrary their time was less fortunate than
the present, in that it was not blessed by the sight of her.
[Sidenote: VISIT TO ROME.]
It would have been preferable to have had preserved for us some further
scraps from the lips of Vittoria, while the little party gazed at
sunset over that matchless view of the aqueduct-bestridden Campagna
from the terrace at the western front of the Lateran, looked up at
the Colosseum, ghostly in the moonlight, from the arch of Titus, or
discoursed on the marvellous proportions of the Pantheon.
But history rarely guesses aright what the after-ages she works for
would most thank her for handing down to them. And we must be content
to construct for ourselves, as best we may, from the stray hints we
have, the singularly pleasing picture of these sixteenth century
rambles among the ruins of Rome by as remarkable a company of pilgrims
as any of the thousands who have since trodden in their steps.
Public-domain text, read in full here on John Shaqi.
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