A Decade of Italian Women, vol. 2 (of 2) — John Shaqi
A Decade of Italian Women, vol. 2 (of 2)Trollope, Thomas Adolphus
History
A Decade of Italian Women, vol. 2 (of 2)
Trollope, Thomas Adolphus
Italy -- Biography; Women -- Biography
Intellectual culture in that day meant especially, almost exclusively,
what has been since more technically called "learning." The movement,
which was then once again stirring up the mind of the educated classes
arose mainly, as every body knows, from the discovery and resuscitation
of the literature of ancient Greece and Rome. To be, if not a good
Grecian, at least a competent Latin scholar, was the first step
absolutely necessary in the liberal education of either male or female.
Nay, it constituted very frequently not only the first step, but the
entire course. In Italy this was in an especial degree the case. Not
only the fashion of literature, but the general tone of the educated
mind became classical,—and pagan. And the rapidity with which the new
modes of thought and fashion of taste spread, and,—speaking of course
with reference only to the educated classes,—popularised themselves, is
very striking. But they did so, because they were eminently suited to
the proclivity of the minds to which they were presented.
[Sidenote: THE NEW LEARNING.]
For this new learning came to them as an emancipation and a licence.
Such learning as had been before in existence was dry, severe,
repulsive, associated only with ideas of discipline, sacrifice, and
renunciation of the world and its pleasures—the proper business of
ascetic priests and hermits. The new studies were the reverse of
all this. Elegant, facile, materialistic in all their tendencies
and associations, adapting themselves readily to the amusements and
passions of the young and gay, they must be compared, if we would
parallel them with aught of modern culture, with the lighter of
those accomplishments, which are now called ornamental. The total
unchristianising of Italian society, which the rage for classical
literature very rapidly produced, was such as strikingly to justify the
modern[1] crusade against classical culture preached by those who are
anxious to preserve such Christianity as that, which then went down
before the irruption of literary paganism. The exquisitely organised
æsthetic faculties of the southern mind eagerly imbibed and readily
assimilated the habits of thought, generated by a religion, whose only
real object of worship was material beauty. The extremely relaxed
morality of the time was subjected to a refining influence, but by no
means checked by a literature rich in poetical drapery for every form
of vice. And the lightest, gayest, freest portion of society, beginning
now to be awakened to a relish for the elegances of life by increasing
wealth and luxury, found exactly what suited them in the revived
literature of the forefathers of their race; a literature which was the
product of generations uninfluenced by the wholly irreconcilable ideas
of a philosophy and religion imposed on their descendants with very
partial success by men of differently constituted races from the east
and from the north.
Public-domain text, read in full here on John Shaqi.
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