Now, {40} therein, of all sciences (I speak still of human and according
to the human conceit), is our poet the monarch. For he doth not only
show the way, but giveth so sweet a prospect into the way, as will entice
any man to enter into it; nay, he doth, as if your journey should lie
through a fair vineyard, at the very first give you a cluster of grapes,
that full of that taste you may long to pass farther. He beginneth not
with obscure definitions, which must blur the margin with
interpretations, and load the memory with doubtfulness, but he cometh to
you with words set in delightful proportion, either accompanied with, or
prepared for, the well-enchanting skill of music; and with a tale,
forsooth, he cometh unto you with a tale which holdeth children from
play, and old men from the chimney-corner; {41} and, pretending no more,
doth intend the winning of the mind from wickedness to virtue; even as
the child is often brought to take most wholesome things, by hiding them
in such other as have a pleasant taste; which, if one should begin to
tell them the nature of the aloes or rhubarbarum they should receive,
would sooner take their physic at their ears than at their mouth; so it
is in men (most of them are childish in the best things, till they be
cradled in their graves); glad they will be to hear the tales of
Hercules, Achilles, Cyrus, Æneas; and hearing them, must needs hear the
right description of wisdom, valour, and justice; which, if they had been
barely (that is to say, philosophically) set out, they would swear they
be brought to school again. That imitation whereof poetry is, hath the
most conveniency to nature of all other; insomuch that, as Aristotle
saith, those things which in themselves are horrible, as cruel battles,
unnatural monsters, are made, in poetical imitation, delightful. Truly,
I have known men, that even with reading Amadis de Gaule, which, God
knoweth, wanteth much of a perfect poesy, have found their hearts moved
to the exercise of courtesy, liberality, and especially courage. Who
readeth Æneas carrying old Anchises on his back, that wisheth not it were
his fortune to perform so excellent an act? Whom doth not those words of
Turnus move (the tale of Turnus having planted his image in the
imagination)
“—fugientem hæc terra videbit?
Usque adeone mori miserum est?” {42}
Public-domain text, read in full here on John Shaqi.
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