A Defence of Poetry and Other EssaysShelley, Percy Bysshe
Philosophy
A Defence of Poetry and Other Essays
Shelley, Percy Bysshe
English essays; Poetry
Thoughts, or ideas, or notions, call them what you will, differ
from each other, not in kind, but in force. It has commonly been
supposed that those distinct thoughts which affect a number of
persons, at regular intervals, during the passage of a multitude
of other thoughts, which are called REAL or EXTERNAL OBJECTS,
are totally different in kind from those which affect only a few
persons, and which recur at irregular intervals, and are usually
more obscure and indistinct, such as hallucinations, dreams, and the
ideas of madness. No essential distinction between any one of these
ideas, or any class of them, is founded on a correct observation of
the nature of things, but merely on a consideration of what thoughts
are most invariably subservient to the security and happiness of
life; and if nothing more were expressed by the distinction, the
philosopher might safely accommodate his language to that of the
vulgar. But they pretend to assert an essential difference, which
has no foundation in truth, and which suggests a narrow and false
conception of universal nature, the parent of the most fatal errors
in speculation. A specific difference between every thought of the
mind, is, indeed, a necessary consequence of that law by which it
perceives diversity and number; but a generic and essential difference
is wholly arbitrary. The principle of the agreement and similarity
of all thoughts, is, that they are all thoughts; the principle
of their disagreement consists in the variety and irregularity of
the occasions on which they arise in the mind. That in which they
agree, to that in which they differ, is as everything to nothing.
Important distinctions, of various degrees of force, indeed, are to
be established between them, if they were, as they may be, subjects
of ethical and economical discussion; but that is a question
altogether distinct. By considering all knowledge as bounded by
perception, whose operations may be indefinitely combined, we arrive
at a conception of Nature inexpressibly more magnificent, simple
and true, than accords with the ordinary systems of complicated and
partial consideration. Nor does a contemplation of the universe,
in this comprehensive and synthetical view, exclude the subtlest
analysis of its modifications and parts.
A scale might be formed, graduated according to the degrees
of a combined ratio of intensity, duration, connexion, periods of
recurrence, and utility, which would be the standard, according to
which all ideas might be measured, and an uninterrupted chain of
nicely shadowed distinctions would be observed, from the faintest
impression on the senses, to the most distinct combination of those
impressions; from the simplest of those combinations, to that mass
of knowledge which, including our own nature, constitutes what we
call the universe.
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