A Desperate Character and Other StoriesTurgenev, Ivan Sergeevich
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A Desperate Character and Other Stories
Turgenev, Ivan Sergeevich
Russia -- Social life and customs -- Fiction; Turgenev, Ivan Sergeevich, 1818-1883 -- Translations into English
Her voice turned out to be soft and deliberate, and she articulated
every syllable fully, as though she were puzzled.
‘In that case, allow me to ask you for the first quadrille.’
She bent her head in token of assent, and even then did not smile.
I soon withdrew, and I remember the expression in her eyes, fixed
steadily upon me, struck me as so strange that I involuntarily looked
over my shoulder to see whether there were not some one or some thing
she was looking at behind my back.
I returned to the hotel, and after dining on the never-varied
‘soupe-julienne,’ cutlets, and green peas, and grouse cooked to a dry,
black chip, I sat down on the sofa and gave myself up to reflection. The
subject of my meditations was Sophia, this enigmatical daughter of my
old acquaintance; but Ardalion, who was clearing the table, explained my
thoughtfulness in his own way; he set it down to boredom.
‘There is very little in the way of entertainment for visitors in our
town,’ he began with his usual easy condescension, while he went on at
the same time flapping the backs of the chairs with a dirty
dinner-napkin--a practice peculiar, as you’re doubtless aware, to
servants of superior education. ‘Very little!’
He paused, and the huge clock on the wall, with a lilac rose on its
white face, seemed in its monotonous, sleepy tick, to repeat his words:
‘Ve-ry! ve-ry!’ it ticked. ‘No concerts, nor theatres,’ pursued Ardalion
(he had travelled abroad with his master, and had all but stayed in
Paris; he knew much better than to mispronounce this last word, as the
peasants do)--‘nor dances, for example; nor evening receptions among the
nobility and gentry--there is nothing of the kind whatever.’ (He paused
a moment, probably to allow me to observe the choiceness of his
diction.) ‘They positively visit each other but seldom. Every one sits
like a pigeon on its perch. And so it comes to pass that visitors have
simply nowhere to go.’
Ardalion stole a sidelong glance at me.
‘But there is one thing,’ he went on, speaking with a drawl, ‘in case
you should feel that way inclined....’
He glanced at me a second time and positively leered, but I suppose did
not observe signs of the requisite inclination in me.
The polished waiter moved towards the door, pondered a moment, came
back, and after fidgeting about uneasily a little, bent down to my ear,
and with a playful smile said:
‘Would you not like to behold the dead?’
I stared at him in perplexity.
‘Yes,’ he went on, speaking in a whisper; ‘there is a man like that
here. He’s a simple artisan, and can’t even read and write, but he does
marvellous things. If you, for example, go to him and desire to see any
one of your departed friends, he will be sure to show him you.’
‘How does he do it?’
‘That’s his secret. For though he’s an uneducated man--to speak bluntly,
illiterate--he’s very great in godliness! Greatly respected he is among
the merchant gentry!’
‘And does every one in the town know about this?’
Public-domain text, read in full here on John Shaqi.
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