A Desperate Character and Other StoriesTurgenev, Ivan Sergeevich
General
A Desperate Character and Other Stories
Turgenev, Ivan Sergeevich
Russia -- Social life and customs -- Fiction; Turgenev, Ivan Sergeevich, 1818-1883 -- Translations into English
On coming out of my grandmother’s room I made straight for one of these
spots, which I had named ‘Switzerland.’ But what was my astonishment
when, before I had reached ‘Switzerland,’ I perceived through the
delicate network of half-dry twigs and green branches that some one
besides me had found it out! A long, long figure in a long, loose coat
of yellow frieze and a tall cap was standing in the very spot I loved
best of all! I stole up a little nearer, and made out the face, which
was utterly unknown to me, also very long and soft, with small reddish
eyes, and a very funny nose; drawn out as long as a pod of peas, it
positively over-hung the full lips; and these lips, quivering and
forming a round O, were giving vent to a shrill little whistle, while
the long fingers of the bony hands, placed facing one another on the
upper part of the chest, were rapidly moving with a rotatory action.
From time to time the motion of the hands subsided, the lips ceased
whistling and quivering, the head was bent forward as though listening.
I came still nearer, examined him still more closely.... The stranger
held in each hand a small flat cup, such as people use to tease
canaries and make them sing. A twig snapped under my feet; the stranger
started, turned his dim little eyes towards the copse, and was
staggering away ... but he stumbled against a tree, uttered an
exclamation, and stood still.
I came out into the open space. The stranger smiled.
‘Good morning,’ said I.
‘Good morning, little master!’
I did not like his calling me little master. Such familiarity!
‘What are you doing here?’ I asked sternly.
‘Why, look here,’ he responded, never leaving off smiling, ‘I’m calling
the little birds to sing.’ He showed me his little cups. ‘The
chaffinches answer splendidly! You, at your tender years, take delight,
no doubt, in the feathered songsters’ notes! Listen, I beg; I will begin
chirping, and they’ll answer me directly--it’s so delightful!’
He began rubbing his little cups. A chaffinch actually did chirp in
response from a mountain ash near. The stranger laughed without a sound,
and winked at me.
The laugh and the wink--every gesture of the stranger, his weak,
lisping voice, his bent knees and thin hands, his very cap and long
frieze coat--everything about him suggested good-nature, something
innocent and droll.
‘Have you been here long?’ I asked.
‘I came to-day.’
‘Why, aren’t you the person of whom ...’
‘Mr. Baburin spoke to the lady here. The same, the same.’
‘Your friend’s name’s Baburin, and what’s yours?’
‘I’m Punin. Punin’s my name; Punin. He’s Baburin and I’m Punin.’ He set
the little cups humming again. ‘Listen, listen to the chaffinch.... How
it carols!’
This queer creature took my fancy ‘awfully’ all at once. Like almost all
boys, I was either timid or consequential with strangers, but I felt
with this man as if I had known him for ages.
Public-domain text, read in full here on John Shaqi.
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