A devil of a fellow, and The yellow cat — John Shaqi
A devil of a fellow, and The yellow catSteele, Wilbur Daniel
General
A devil of a fellow, and The yellow cat
Steele, Wilbur Daniel
American fiction -- 20th century; Short stories, American
The day died very suddenly now. Passing beneath the willows that hung
out of Ma Deutra’s chicken-pen, it was almost night already, cool and
struck through with the acrid fetor of the roots; and when he came
out beyond, the world’s color had changed perceptibly, its passion
chilled by the faint white influence of the moon. Turning into the back
street, he paused before a small weathered building with “Henry Lake,
Merchandise & Provisions” lettered across the false front.
“Shut up a’ready,” he mused, with a hard-won sneer. “Stays home of
evenin’s _now_--the old bastard. I’ll wring his dried-up neck--you
watch.”
He moved on again, smoothing out his coat-folds and tipping the Panama
further back and to the side, for he had to pass the house now. The
perfectly inexplicable thing was that he should find himself so upset
over Mamie Cabral--_Mamie Cabral_--a good-enough girl, but....
He walked along the white pickets of the fence, shoulders squared
back, heartrending chin thrust forward in a heroic preoccupation, eyes
fastened on the moon where Fergus’s willows chopped it into ragged
white fragments. But, somehow, he could not get past the gate; he
faltered there, set down the suitcase, and leaned his elbows on the
posts.
Through all the years of his boyhood he had played around that house
of Lake’s; later he had stalked past it going to or from his various
vessels. And yet he could not have told any one definitely what it
looked like. He retained a dim impression of a grape-vine, that was
all. Now he looked at it for the first time with eyes of interest,
intense glowering interest. The vine, shooting thick and rough from the
ground near the front door and sprawling haphazard over the dimming
whiteness of the walls till it came to the semi-restraint of a pergola,
touched the man’s ponderous imagination and made him think of a snake,
or a kind of guardian dragon.
“And them two are in there,” he mumbled to himself. “Into the dark.”
He leaned still more heavily on the gate-post, his garments melting
into the luminous streak of the fence, his dark, working face invisible
against a further hedge, only that monstrous exotic bloom of a hat
hanging in the dusk, air-sustained.
“Tony! Oh--Oh, Tony Va Di!”
The low cry came from the side of the house where a bay window
sheltered beneath the vine-strangled pergola. Va Di stood up rigid,
leaning slightly backward as if before a blow, his tongue running over
his lips. He muttered, “Name of God!”
The cry repeated itself, half in appeal, half ecstatic.
“Ton’! Ton’!”
Opening the gate, careless now of who might see or hear him, he strode
along the nasturtium-bordered walk and stood beneath the pergola,
staring at the window slightly above the level of his head.
Public-domain text, read in full here on John Shaqi.
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