A Dish of Orts : Chiefly Papers on the Imagination, and on ShakespeareMacDonald, George
Philosophy
A Dish of Orts : Chiefly Papers on the Imagination, and on Shakespeare
MacDonald, George
Literature -- History and criticism; Shakespeare, William, 1564-1616 -- Criticism and interpretation
Alas, poor ghost! Around the house he flits, shifting and shadowy, over
the ground he once paced in ringing armour--armed still, but his very
armour a shadow! It cannot keep out the arrow of the cock’s cry, and the
heart that pierces is no shadow. Where now is the loaded axe with which,
in angry dispute, he smote the ice at his feet that cracked to the blow?
Where is the arm that heaved the axe? Wasting in the marble maw of the
sepulchre, and the arm he carries now--I know not what it can do, but it
cannot slay his murderer. For that he seeks his son’s. Doubtless his new
ethereal form has its capacities and privileges. It can shift its garb
at will; can appear in mail or night-gown, unaided of armourer or
tailor; can pass through Hades-gates or chamber-door with equal ease;
can work in the ground like mole or pioneer, and let its voice be heard
from the cellarage. But there is one to whom it cannot appear, one whom
the ghost can see, but to whom he cannot show himself. She has built a
doorless, windowless wall between them, and sees the husband of her
youth no more. Outside her heart--that is the night in which he wanders,
while the palace-windows are flaring, and the low wind throbs to the
wassail shouts: within, his murderer sits by the wife of his bosom, and
in the orchard the spilt poison is yet gnawing at the roots of the
daisies.
Twice has the ghost grown out of the night upon the eyes of the
sentinels. With solemn march, slow and stately, three times each night,
has he walked by them; they, jellied with fear, have uttered no
challenge. They seek Horatio, who the third night speaks to him as a
scholar can. To the first challenge he makes no answer, but stalks away;
to the second,
It lifted up its head, and did address
Itself to motion, like as it would speak;
but the gaoler cock calls him, and the kingly shape
started like a guilty thing
Upon a fearful summons;
and then
shrunk in haste away,
And vanished from our sight.
Ah, that summons! at which majesty welks and shrivels, the king and
soldier starts and cowers, and, armour and all, withers from the air!
But why has he not spoken before? why not now ere the cock could claim
him? He cannot trust the men. His court has forsaken his memory--crowds
with as eager discontent about the mildewed ear as ever about his
wholesome brother, and how should he trust mere sentinels? There is but
one who will heed his tale. A word to any other would but defeat his
intent. Out of the multitude of courtiers and subjects, in all the land
of Denmark, there is but one whom he can trust--his student-son. Him he
has not yet found--the condition of a ghost involving strange
difficulties.
Or did the horror of the men at the sight of him wound and repel him?
Does the sense of regal dignity, not yet exhausted for all the fasting
in fires, unite with that of grievous humiliation to make him shun their
speech?
Public-domain text, read in full here on John Shaqi.
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