A Dish of Orts : Chiefly Papers on the Imagination, and on ShakespeareMacDonald, George
Philosophy
A Dish of Orts : Chiefly Papers on the Imagination, and on Shakespeare
MacDonald, George
Literature -- History and criticism; Shakespeare, William, 1564-1616 -- Criticism and interpretation
But Horatio--why does the ghost not answer him ere the time of the cock
is come? Does he fold the cloak of indignation around him because his
son’s friend has addressed him as an intruder on the night, an usurper
of the form that is his own? The companions of the speaker take note
that he is offended and stalks away.
Much has the kingly ghost to endure in his attempt to re-open relations
with the world he has left: when he has overcome his wrath and returns,
that moment Horatio again insults him, calling him an illusion. But this
time he will bear it, and opens his mouth to speak. It is too late; the
cock is awake, and he must go. Then alas for the buried majesty of
Denmark! with upheaved halberts they strike at the shadow, and would
stop it if they might--usage so grossly unfitting that they are
instantly ashamed of it themselves, recognizing the offence in the
majesty of the offended. But he is already gone. The proud, angry king
has found himself but a thing of nothing to his body-guard--for he has
lost the body which was their guard. Still, not even yet has he learned
how little it lies in the power of an honest ghost to gain credit for
himself or his tale! His very privileges are against him.
All this time his son is consuming his heart in the knowledge of a
mother capable of so soon and so utterly forgetting such a husband, and
in pity and sorrow for the dead father who has had such a wife. He is
thirty years of age, an obedient, honourable son--a man of thought, of
faith, of aspiration. Him now the ghost seeks, his heart burning like a
coal with the sense of unendurable wrong. He is seeking the one drop
that can fall cooling on that heart--the sympathy, the answering rage
and grief of his boy. But when at length he finds him, the generous,
loving father has to see that son tremble like an aspen-leaf in his
doubtful presence. He has exposed himself to the shame of eyes and the
indignities of dullness, that he may pour the pent torrent of his wrongs
into his ears, but his disfranchisement from the flesh tells against him
even with his son: the young Hamlet is doubtful of the identity of the
apparition with his father. After all the burning words of the phantom,
the spirit he has seen may yet be a devil; the devil has power to assume
a pleasing shape, and is perhaps taking advantage of his melancholy to
damn him.
Public-domain text, read in full here on John Shaqi.
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