A Dish of Orts : Chiefly Papers on the Imagination, and on ShakespeareMacDonald, George
Philosophy
A Dish of Orts : Chiefly Papers on the Imagination, and on Shakespeare
MacDonald, George
Literature -- History and criticism; Shakespeare, William, 1564-1616 -- Criticism and interpretation
“If poetry, as light from the heart of God, is for our heart, that we
may brighten and distinguish individual things; if it is to transfigure
for us the round, dusk world as by an inner radiance; if it is to
present human life and history as Rembrandt pictures, in which darkness
serves and glorifies light; if, like light, formless in its essence, all
things shapen towards the perfection of their forms under its influence;
if, entering as through crevices in single beams, it makes dimmest
places cheerful and sacred with its golden touch: then must the heart of
the Poet in which this true light shineth be as a hospice on the
mountain pathways of the world, and his verse must be the lamp seen from
far that burns to tell us where bread and shelter, drink, fire, and
companionship, may be found; and he himself should have the
mountaineer’s hardiness and resolution. From the heart as source, to the
heart in influence, Poetry comes. The inward, the upward, and the
onward, whether we speak of an individual or a nation, may not be
separated in our consideration. Deep and sacred imaginative meditations
are needed for the true earthward as well as for the heavenward progress
of men and peoples. And Poetry, whether old or new, streaming from the
heart moved by the powerful spirit of love, has influence on the heart
public and individual, and thence on the manners, laws, and institutions
of nations. If Poesy visit the length and breadth of a country after
years unfruitfully dull, coming like a showery fertilizing wind after
drought, the corners and the valley-hidings are visited too, and these
perhaps she now visits first, as these sometimes she has visited only.
For miles and for miles, the public corn, the bread of the nation’s
life, is bettered; and in our own endeared spot, the roses, delight of
our individual eye and sense, yield us more prosperingly their colour
and their fragrance. For the universal sunshine which brightens a
thousand cities, beautifies ten thousand homesteads, and rejoices ten
times ten thousand hearts. And as rains in the mid season renew for
awhile the faded greenness of spring; and trees in fervent summers, when
their foliage has deepened or fully fixed its hue, bedeck themselves
through the fervency with bright midsummer shoots; so, by Poetry are the
youthful hues of the soul renewed, and truths that have long stood
full-foliaged in our minds, are by its fine influences empowered to put
forth fresh shoots. Thus age, which is a necessity for the body, may be
warded off as a disease from the soul, and we may be like the old man in
Chaucer, who had nothing hoary about him but his hairs--
“‘Though I be hoor I fare as doth a tree
That blosmeth er the fruit ywoxen be,
The blosmy tree n’ is neither drie ne ded:
I feel me nowhere hoor, but on my head.
Min herte and all my limmes ben as grene
As laurel through the yere is for to sene.’”
Hear our author again as to the calling of the poet:--
Public-domain text, read in full here on John Shaqi.
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