A Dish of Orts : Chiefly Papers on the Imagination, and on ShakespeareMacDonald, George
Philosophy
A Dish of Orts : Chiefly Papers on the Imagination, and on Shakespeare
MacDonald, George
Literature -- History and criticism; Shakespeare, William, 1564-1616 -- Criticism and interpretation
Some thinkers would feel sorely hampered if at liberty to use no forms
but such as existed in nature, or to invent nothing save in accordance
with the laws of the world of the senses; but it must not therefore be
imagined that they desire escape from the region of law. Nothing lawless
can show the least reason why it should exist, or could at best have
more than an appearance of life.
The natural world has its laws, and no man must interfere with them in
the way of presentment any more than in the way of use; but they
themselves may suggest laws of other kinds, and man may, if he pleases,
invent a little world of his own, with its own laws; for there is that
in him which delights in calling up new forms--which is the nearest,
perhaps, he can come to creation. When such forms are new embodiments of
old truths, we call them products of the Imagination; when they are mere
inventions, however lovely, I should call them the work of the Fancy: in
either case, Law has been diligently at work.
His world once invented, the highest law that comes next into play is,
that there shall be harmony between the laws by which the new world has
begun to exist; and in the process of his creation, the inventor must
hold by those laws. The moment he forgets one of them, he makes the
story, by its own postulates, incredible. To be able to live a moment in
an imagined world, we must see the laws of its existence obeyed. Those
broken, we fall out of it. The imagination in us, whose exercise is
essential to the most temporary submission to the imagination of
another, immediately, with the disappearance, of Law, ceases to act.
Suppose the gracious creatures of some childlike region of Fairyland
talking either cockney or Gascon! Would not the tale, however lovelily
begun, sink at once to the level of the Burlesque--of all forms of
literature the least worthy? A man’s inventions may be stupid or clever,
but if he do not hold by the laws of them, or if he make one law jar
with another, he contradicts himself as an inventor, he is no artist. He
does not rightly consort his instruments, or he tunes them in different
keys. The mind of man is the product of live Law; it thinks by law, it
dwells in the midst of law, it gathers from law its growth; with law,
therefore, can it alone work to any result. Inharmonious, unconsorting
ideas will come to a man, but if he try to use one of such, his work
will grow dull, and he will drop it from mere lack of interest. Law is
the soil in which alone beauty will grow; beauty is the only stuff in
which Truth can be clothed; and you may, if you will, call Imagination
the tailor that cuts her garments to fit her, and Fancy his journeyman
that puts the pieces of them together, or perhaps at most embroiders
their button-holes. Obeying law, the maker works like his creator; not
obeying law, he is such a fool as heaps a pile of stones and calls it a
church.
Public-domain text, read in full here on John Shaqi.
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