A Dish of Orts : Chiefly Papers on the Imagination, and on Shakespeare — John Shaqi
A Dish of Orts : Chiefly Papers on the Imagination, and on ShakespeareMacDonald, George
Philosophy
A Dish of Orts : Chiefly Papers on the Imagination, and on Shakespeare
MacDonald, George
Literature -- History and criticism; Shakespeare, William, 1564-1616 -- Criticism and interpretation
[Footnote: Let women who feel the wrongs
of their kind teach women to be high-minded in their relation to men,
and they will do more for the social elevation of women, and the
establishment of their rights, whatever those rights may be, than by any
amount of intellectual development or assertion of equality. Nor, if
they are other than mere partisans, will they refuse the attempt because
in its success men will, after all, be equal, if not greater gainers, if
only thereby they should be “feelingly persuaded” what they are.] But
will the girl be less likely to marry a _gentleman_, in the grand old
meaning of the sixteenth century? when it was no irreverence to call our
Lord
“The first true gentleman that ever breathed;”
or in that of the fourteenth?--when Chaucer teaching “whom is worthy to
be called gentill,” writes thus:--
“The first stocke was full of rightwisnes,
Trewe of his worde, sober, pitous and free,
Clene of his goste, and loved besinesse,
Against the vice of slouth in honeste;
And but his heire love vertue as did he,
He is not gentill though he rich seme,
All weare he miter, crowne, or diademe.”
Will she be less likely to marry one who honours women, and for their
sakes, as well as his own, honours himself? Or to speak from what many
would regard as the mother’s side of the question--will the girl be more
likely, because of such a culture of her imagination, to refuse the
wise, true-hearted, generous rich man, and fall in love with the
talking, verse-making fool, _because_ he is poor, as if that were a
virtue for which he had striven? The highest imagination and the
lowliest common sense are always on one side.
For the end of imagination is _harmony_. A right imagination, being the
reflex of the creation, will fall in with the divine order of things as
the highest form of its own operation; “will tune its instrument here at
the door” to the divine harmonies within; will be content alone with
growth towards the divine idea, which includes all that is beautiful in
the imperfect imaginations of men; will know that every deviation from
that growth is downward; and will therefore send the man forth from its
loftiest representations to do the commonest duty of the most wearisome
calling in a hearty and hopeful spirit. This is the work of the right
imagination; and towards this work every imagination, in proportion to
the rightness that is in it, will tend. The reveries even of the wise
man will make him stronger for his work; his dreaming as well as his
thinking will render him sorry for past failure, and hopeful of future
success.
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