A Dish of Orts : Chiefly Papers on the Imagination, and on ShakespeareMacDonald, George
Philosophy
A Dish of Orts : Chiefly Papers on the Imagination, and on Shakespeare
MacDonald, George
Literature -- History and criticism; Shakespeare, William, 1564-1616 -- Criticism and interpretation
But soon comes a change. So far as he can see or learn, all the motion,
all the seeming dance, is but a rush for death, a panic flight into the
moveless silence. The summer wind, the tropic tornado, the softest tide,
the fiercest storm, are alike the tumultuous conflict of forces,
rushing, and fighting as they rush, into the arms of eternal negation.
On and on they hurry--down and down, to a cold stirless solidity, where
wind blows not, water flows not, where the seas are not merely tideless
and beat no shores, but frozen cleave with frozen roots to their gulfy
basin. All things are on the steep-sloping path to final evanishment,
uncreation, non-existence. He is filled with horror--not so much of the
dreary end, as at the weary hopelessness of the path thitherward. Then a
dim light breaks upon him, and with it a faint hope revives, for he
seems to see in all the forms of life, innumerably varied, a spirit
rushing upward from death--a something in escape from the terror of the
downward cataract, of the rest that knows not peace. “Is it not,” he
asks, “the soaring of the silver dove of life from its potsherd-bed--the
heavenward flight of some higher and incorruptible thing? Is not
vitality, revealed in growth, itself an unending resurrection?”
The vision also of the oneness of the universe, ever reappearing through
the vapours of question, helps to keep hope alive in him. To find, for
instance, the law of the relation of the arrangements of the leaves on
differing plants, correspond to the law of the relative distances of the
planets in approach to their central sun, wakes in him that hope of a
central Will, which alone can justify one ecstatic throb at any seeming
loveliness of the universe. For without the hope of such a centre,
delight is unreason--a mockery not such as the skeleton at the Egyptian
feast, but such rather as a crowned corpse at a feast of skeletons. Life
without the higher glory of the unspeakable, the atmosphere of a God, is
not life, is not worth living. He would rather cease to be, than walk
the dull level of the commonplace--than live the unideal of men in whose
company he can take no pleasure--men who are as of a lower race, whom he
fain would lift, who will not rise, but for whom as for himself he would
cherish the hope they do their best to kill. Those who seem to him
great, recognize the unseen--believe the roots of science to be therein
hid--regard the bringing forth into sight of the things that are
invisible as the end of all Art and every art--judge the true leader of
men to be him who leads them closer to the essential facts of their
being. Alas for his love and his hope, alas for himself, if the visible
should exist for its own sake only!--if the face of a flower means
nothing--appeals to no region beyond the scope of the science that would
unveil its growth. He cannot believe that its structure exists for the
sake of its laws; that would be to build for the sake of its joints a
Public-domain text, read in full here on John Shaqi.
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