A Distinguished Provincial at ParisBalzac, Honoré de
General
A Distinguished Provincial at Paris
Balzac, Honoré de
France -- Social life and customs -- 19th century -- Fiction; French fiction -- Translations into English
The Panorama-Dramatique no longer exists. A dwelling-house stands on the
site of the once charming theatre in the Boulevard du Temple, where two
successive managements collapsed without making a single hit; and yet
Vignol, who has since fallen heir to some of Potier’s popularity, made
his _debut_ there; and Florine, five years later a celebrated actress,
made her first appearance in the theatre opposite the Rue Charlot.
Play-houses, like men, have their vicissitudes. The Panorama-Dramatique
suffered from competition. The machinations of its rivals, the Ambigu,
the Gaité, the Porte Saint-Martin, and the Vaudeville, together with a
plethora of restrictions and a scarcity of good plays, combined to bring
about the downfall of the house. No dramatic author cared to quarrel
with a prosperous theatre for the sake of the Panorama-Dramatique, whose
existence was, to say the least, problematical. The management at this
moment, however, was counting on the success of a new melodramatic
comedy by M. du Bruel, a young author who, after working in
collaboration with divers celebrities, had now produced a piece
professedly entirely his own. It had been specially composed for
the leading lady, a young actress who began her stage career as a
supernumerary at the Gaité, and had been promoted to small parts for the
last twelvemonth. But though Mlle. Florine’s acting had attracted some
attention, she obtained no engagement, and the Panorama accordingly had
carried her off. Coralie, another actress, was to make her _debut_ at
the same time.
Lucien was amazed at the power wielded by the press. “This gentleman is
with me,” said Étienne Lousteau, and the box-office clerks bowed before
him as one man.
“You will find it no easy matter to get seats,” said the head-clerk.
“There is nothing left now but the stage box.”
A certain amount of time was wasted in controversies with the
box-keepers in the lobbies, when Étienne said, “Let us go behind
the scenes; we will speak to the manager, he will take us into the
stage-box; and besides, I will introduce you to Florine, the heroine of
the evening.”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account