A Distinguished Provincial at ParisBalzac, Honoré de
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A Distinguished Provincial at Paris
Balzac, Honoré de
France -- Social life and customs -- 19th century -- Fiction; French fiction -- Translations into English
The rich, to be sure, never having
experienced sufferings of this kind, may think them incredibly petty and
small; but the agonies of less fortunate mortals are as well worth our
attention as crises and vicissitudes in the lives of the mighty and
privileged ones of earth. Is not the pain equally great for either?
Suffering exalts all things. And, after all, suppose that we change
the terms, and for a suit of clothes, more or less fine, put instead a
ribbon, or a star, or a title; have not brilliant careers been tormented
by reason of such apparent trifles as these? Add, moreover, that
for those people who must seem to have that which they have not, the
question of clothes is of enormous importance, and not unfrequently the
appearance of possession is the shortest road to possession at a later
day.
A cold sweat broke out over Lucien as he bethought himself that to-night
he must make his first appearance before the Marquise in this dress—the
Marquise d’Espard, relative of a First Gentleman of the Bedchamber,
a woman whose house was frequented by the most illustrious among
illustrious men in every field.
“I look like an apothecary’s son, a regular shop-drudge,” he raged
inwardly, watching the youth of the Faubourg Saint-Germain pass
under his eyes; graceful, spruce, fashionably dressed, with a certain
uniformity of air, a sameness due to a fineness of contour, and a
certain dignity of carriage and expression; though, at the same time,
each one differed from the rest in the setting by which he had chosen
to bring his personal characteristics into prominence. Each one made the
most of his personal advantages. Young men in Paris understand the art
of presenting themselves quite as well as women. Lucien had inherited
from his mother the invaluable physical distinction of race, but the
metal was still in the ore, and not set free by the craftsman’s hand.
Public-domain text, read in full here on John Shaqi.
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