A Distinguished Provincial at ParisBalzac, Honoré de
General
A Distinguished Provincial at Paris
Balzac, Honoré de
France -- Social life and customs -- 19th century -- Fiction; French fiction -- Translations into English
Lousteau sent for a cab, and the pair of friends drove to Vernou’s house
on the second floor up an alley in the Rue Mandar. To Lucien’s great
astonishment, the harsh, fastidious, and severe critic’s surroundings
were vulgar to the last degree. A marbled paper, cheap and shabby, with
a meaningless pattern repeated at regular intervals, covered the walls,
and a series of aqua tints in gilt frames decorated the apartment, where
Vernou sat at table with a woman so plain that she could only be the
legitimate mistress of the house, and two very small children perched
on high chairs with a bar in front to prevent the infants from tumbling
out. Félicien Vernou, in a cotton dressing-gown contrived out of the
remains of one of his wife’s dresses, was not over well pleased by this
invasion.
“Have you breakfasted, Lousteau?” he asked, placing a chair for Lucien.
“We have just left Florine; we have been breakfasting with her.”
Lucien could not take his eyes off Mme. Vernou. She looked like a stout,
homely cook, with a tolerably fair complexion, but commonplace to
the last degree. The lady wore a bandana tied over her night-cap, the
strings of the latter article of dress being tied so tightly under
the chin that her puffy cheeks stood out on either side. A shapeless,
beltless garment, fastened by a single button at the throat, enveloped
her from head to foot in such a fashion that a comparison to a milestone
at once suggested itself. Her health left no room for hope; her cheeks
were almost purple; her fingers looked like sausages. In a moment it
dawned upon Lucien how it was that Vernou was always so ill at ease in
society; here was the living explanation of his misanthropy. Sick of his
marriage, unable to bring himself to abandon his wife and family, he had
yet sufficient of the artistic temper to suffer continually from their
presence; Vernou was an actor by nature bound never to pardon the
success of another, condemned to chronic discontent because he was never
content with himself. Lucien began to understand the sour look which
seemed to add to the bleak expression of envy on Vernou’s face; the
acerbity of the epigrams with which his conversation was sown, the
journalist’s pungent phrases, keen and elaborately wrought as a
stiletto, were at once explained.
“Let us go into my study,” Vernou said, rising from the table; “you have
come on business, no doubt.”
“Yes and no,” replied Étienne Lousteau. “It is a supper, old chap.”
“I have brought a message from Coralie,” said Lucien (Mme. Vernou looked
up at once at the name), “to ask you to supper to-night at her house
to meet the same company as before at Florine’s, and a few more
besides—Hector Merlin and Mme. du Val-Noble and some others. There will
be play afterwards.”
“But we are engaged to Mme. Mahoudeau this evening, dear,” put in the
wife.
“What does that matter?” returned Vernou.
“She will take offence if we don’t go; and you are very glad of her when
you have a bill to discount.”
Public-domain text, read in full here on John Shaqi.
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