A Distinguished Provincial at ParisBalzac, Honoré de
General
A Distinguished Provincial at Paris
Balzac, Honoré de
France -- Social life and customs -- 19th century -- Fiction; French fiction -- Translations into English
“Is M. Braulard in?” Étienne asked of the porter.
“_Monsieur_?” said Lucien. “Then, is the leader of the _claque_
‘Monsieur’?”
“My dear boy, Braulard has twenty thousand francs of income. All the
dramatic authors of the Boulevards are in his clutches, and have
a standing account with him as if he were a banker. Orders and
complimentary tickets are sold here. Braulard knows where to get rid of
such merchandise. Now for a turn at statistics, a useful science enough
in its way. At the rate of fifty complimentary tickets every evening
for each theatre, you have two hundred and fifty tickets daily. Suppose,
taking one with another, that they are worth a couple of francs apiece,
Braulard pays a hundred and twenty-five francs daily for them, and takes
his chance of making cent per cent. In this way authors’ tickets alone
bring him in about four thousand francs every month, or forty-eight
thousand francs per annum. Allow twenty thousand francs for loss, for he
cannot always place all his tickets——”
“Why not?”
“Oh! the people who pay at the door go in with the holders of
complimentary tickets for unreserved seats, and the theatre reserves
the right of admitting those who pay. There are fine warm evenings to be
reckoned with besides, and poor plays. Braulard makes, perhaps, thirty
thousand francs every year in this way, and he has his _claqueurs_
besides, another industry. Florine and Coralie pay tribute to him; if
they did not, there would be no applause when they come on or go off.”
Lousteau gave this explanation in a low voice as they went up the stair.
“Paris is a queer place,” said Lucien; it seemed to him that he saw
self-interest squatting in every corner.
A smart maid-servant opened the door. At the sight of Étienne Lousteau,
the dealer in orders and tickets rose from a sturdy chair before a large
cylinder desk, and Lucien beheld the leader of the _claque_, Braulard
himself, dressed in a gray molleton jacket, footed trousers, and red
slippers; for all the world like a doctor or a solicitor. He was a
typical self-made man, Lucien thought—a vulgar-looking face with a
pair of exceedingly cunning gray eyes, hands made for hired applause,
a complexion over which hard living had passed like rain over a roof,
grizzled hair, and a somewhat husky voice.
“You have come from Mlle. Florine, no doubt, sir, and this gentleman
for Mlle. Coralie,” said Braulard; “I know you very well by sight. Don’t
trouble yourself, sir,” he continued, addressing Lucien; “I am buying
the Gymnase connection, I will look after your lady, and I will give her
notice of any tricks they may try to play on her.”
“That is not an offer to be refused, my dear Braulard, but we have come
about the press orders for the Boulevard theatres—I as editor, and this
gentleman as dramatic critic.”
Public-domain text, read in full here on John Shaqi.
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