A Distinguished Provincial at ParisBalzac, Honoré de
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A Distinguished Provincial at Paris
Balzac, Honoré de
France -- Social life and customs -- 19th century -- Fiction; French fiction -- Translations into English
A second-hand bookseller on the ground floor, a second-hand
clothes-dealer on the first story, and a seller of indecent prints on
the second, Samanon carried on a fourth business—he was a
money-lender into the bargain. No character in Hoffmann’s romances, no
sinister-brooding miser of Scott’s, can compare with this freak of human
and Parisian nature (always admitting that Samanon was human). In spite
of himself, Lucien shuddered at the sight of the dried-up little old
creature, whose bones seemed to be cutting a leather skin, spotted with
all sorts of little green and yellow patches, like a portrait by Titian
or Veronese when you look at it closely. One of Samanon’s eyes was fixed
and glassy, the other lively and bright; he seemed to keep that dead eye
for the bill-discounting part of his profession, and the other for the
trade in the pornographic curiosities upstairs. A few stray white hairs
escaping from under a small, sleek, rusty black wig, stood erect above a
sallow forehead with a suggestion of menace about it; a hollow trench in
either cheek defined the outline of the jaws; while a set of projecting
teeth, still white, seemed to stretch the skin of the lips with the
effect of an equine yawn. The contrast between the ill-assorted eyes
and grinning mouth gave Samanon a passably ferocious air; and the very
bristles on the man’s chin looked stiff and sharp as pins.
Nor was there the slightest sign about him of any desire to redeem a
sinister appearance by attention to the toilet; his threadbare jacket
was all but dropping to pieces; a cravat, which had once been black, was
frayed by contact with a stubble chin, and left on exhibition a throat
as wrinkled as a turkey-gobbler’s.
This was the individual whom Étienne and Lucien discovered in his filthy
counting-house, busily affixing tickets to the backs of a parcel
of books from a recent sale. In a glance, the friends exchanged the
innumerable questions raised by the existence of such a creature; then
they presented Gabusson’s introduction and Fendant and Cavalier’s bills.
Samanon was still reading the note when a third comer entered, the
wearer of a short jacket, which seemed in the dimly-lighted shop to be
cut out of a piece of zinc roofing, so solid was it by reason of alloy
with all kinds of foreign matter. Oddly attired as he was, the man was
an artist of no small intellectual power, and ten years later he was
destined to assist in the inauguration of the great but ill-founded
Saint-Simonian system.
“I want my coat, my black trousers, and satin waistcoat,” said this
person, pressing a numbered ticket on Samanon’s attention. Samanon
touched the brass button of a bell-pull, and a woman came down from
some upper region, a Normande apparently, to judge by her rich, fresh
complexion.
Public-domain text, read in full here on John Shaqi.
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