A Distinguished Provincial at ParisBalzac, Honoré de
General
A Distinguished Provincial at Paris
Balzac, Honoré de
France -- Social life and customs -- 19th century -- Fiction; French fiction -- Translations into English
Lucien went back gaily to his lodgings. He was as careful over his
toilet as on that former unlucky occasion when he occupied the Marquise
d’Espard’s box; but he had learned by this time how to wear his clothes
with a better grace. They looked as though they belonged to him. He wore
his best tightly-fitting, light-colored trousers, and a dress-coat.
His boots, a very elegant pair adorned with tassels, had cost him
forty francs. His thick, fine, golden hair was scented and crimped into
bright, rippling curls. Self-confidence and belief in his future lighted
up his forehead. He paid careful attention to his almost feminine hands,
the filbert nails were a spotless pink, and the white contours of his
chin were dazzling by contrast with a black satin stock. Never did a
more beautiful youth come down from the hills of the Latin Quarter.
Glorious as a Greek god, Lucien took a cab, and reached the Café Servel
at a quarter to seven. There the portress gave him some tolerably
complicated directions for the ascent of four pairs of stairs. Provided
with these instructions, he discovered, not without difficulty, an open
door at the end of a long, dark passage, and in another moment made the
acquaintance of the traditional room of the Latin Quarter.
A young man’s poverty follows him wherever he goes—into the Rue de la
Harpe as into the Rue de Cluny, into d’Arthez’s room, into Chrestien’s
lodging; yet everywhere no less the poverty has its own peculiar
characteristics, due to the idiosyncrasies of the sufferer. Poverty in
this case wore a sinister look.
A shabby, cheap carpet lay in wrinkles at the foot of a curtainless
walnut-wood bedstead; dingy curtains, begrimed with cigar smoke
and fumes from a smoky chimney, hung in the windows; a Carcel lamp,
Florine’s gift, on the chimney-piece, had so far escaped the pawnbroker.
Add a forlorn-looking chest of drawers, and a table littered with
papers and disheveled quill pens, and the list of furniture was almost
complete. All the books had evidently arrived in the course of the last
twenty-four hours; and there was not a single object of any value in
the room. In one corner you beheld a collection of crushed and flattened
cigars, soiled pocket-handkerchiefs, shirts which had been turned to
do double duty, and cravats that had reached a third edition; while
a sordid array of old boots stood gaping in another angle of the room
among aged socks worn into lace.
The room, in short, was a journalist’s bivouac, filled with odds and
ends of no value, and the most curiously bare apartment imaginable. A
scarlet tinder-box glowed among a pile of books on the nightstand.
A brace of pistols, a box of cigars, and a stray razor lay upon the
mantel-shelf; a pair of foils, crossed under a wire mask, hung against
a panel. Three chairs and a couple of armchairs, scarcely fit for the
shabbiest lodging-house in the street, completed the inventory.
Public-domain text, read in full here on John Shaqi.
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