A Distinguished Provincial at ParisBalzac, Honoré de
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A Distinguished Provincial at Paris
Balzac, Honoré de
France -- Social life and customs -- 19th century -- Fiction; French fiction -- Translations into English
The dirty, cheerless room told a tale of a restless life and a want of
self-respect; some one came hither to sleep and work at high pressure,
staying no longer than he could help, longing, while he remained, to
be out and away. What a difference between this cynical disorder and
d’Arthez’s neat and self-respecting poverty! A warning came with the
thought of d’Arthez; but Lucien would not heed it, for Étienne made a
joking remark to cover the nakedness of a reckless life.
“This is my kennel; I appear in state in the Rue de Bondy, in the
new apartments which our druggist has taken for Florine; we hold the
house-warming this evening.”
Étienne Lousteau wore black trousers and beautifully-varnished boots;
his coat was buttoned up to his chin; he probably meant to change his
linen at Florine’s house, for his shirt collar was hidden by a velvet
stock. He was trying to renovate his hat by an application of the brush.
“Let us go,” said Lucien.
“Not yet. I am waiting for a bookseller to bring me some money; I have
not a farthing; there will be play, perhaps, and in any case I must have
gloves.”
As he spoke, the two new friends heard a man’s step in the passage
outside.
“There he is,” said Lousteau. “Now you will see, my dear fellow, the
shape that Providence takes when he manifests himself to poets. You are
going to behold Dauriat, the fashionable bookseller, in all his glory,
but first you shall see the bookseller of of the Quai des Augustins,
the pawnbroker, the marine store dealer of the trade, the Norman
ex-greengrocer.—Come along, old Tartar!” shouted Lousteau.
“Here am I,” said a voice like a cracked bell.
“Brought the money with you?”
“Money? There is no money now in the trade,” retorted the other, a young
man who eyed Lucien curiously.
“_Imprimis_, you owe me fifty francs,” Lousteau continued.
“There are two copies of _Travels in Egypt_ here, a marvel, so they
say, swarming with woodcuts, sure to sell. Finot has been paid for
two reviews that I am to write for him. _Item_ two works, just out, by
Victor Ducange, a novelist highly thought of in the Marais. _Item_ a
couple of copies of a second work by Paul de Kock, a beginner in the
same style. _Item_ two copies of _Yseult of Dôle_, a charming provincial
work. Total, one hundred francs, my little Barbet.”
Barbet made a close survey of edges and binding.
“Oh! they are in perfect condition,” cried Lousteau. “The _Travels_ are
uncut, so is the Paul de Kock, so is the Ducange, so is that other thing
on the chimney-piece, _Considerations on Symbolism_. I will throw that
in; myths weary me to that degree that I will let you have the thing to
spare myself the sight of the swarms of mites coming out of it.”
“But,” asked Lucien, “how are you going to write your reviews?”
Barbet, in profound astonishment, stared at Lucien; then he looked at
Étienne and chuckled.
“One can see that the gentleman has not the misfortune to be a literary
man,” said he.
Public-domain text, read in full here on John Shaqi.
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