Little Alois was often with Nello and Patrasche. They played in the
fields, they ran in the snow, they gathered the daisies and bilberries,
they went up to the old gray church together, and they often sat
together by the broad wood-fire in the mill-house. Little Alois, indeed,
was the richest child in the hamlet. She had neither brother nor sister;
her blue serge dress had never a hole in it; at Kermesse she had as many
gilded nuts and Agni Dei in sugar as her hands could hold; and when she
went up for her first communion her flaxen curls were covered with a
cap of richest Mechlin lace, which had been her mother's and her
grandmother's before it came to her. Men spoke already, though she had
but twelve years, of the good wife she would be for their sons to woo
and win; but she herself was a little gay, simple child, in nowise
conscious of her heritage, and she loved no playfellows so well as Jehan
Daas's grandson and his dog.
[Illustration: child] [Illustration: NELLO DREW THEIR LIKENESS WITH A
STICK OF CHARCOAL] [Illustration: couple walking]
One day her father, Baas Cogez, a good man, but somewhat stern, came on
a pretty group in the long meadow behind the mill, where the aftermath
had that day been cut. It was his little daughter sitting amidst the
hay, with the great tawny head of Patrasche on her lap, and many wreaths
of poppies and blue corn-flowers round them both: on a clean smooth slab
of pine wood the boy Nello drew their likeness with a stick of charcoal.
The miller stood and looked at the portrait with tears in his eyes, it
was so strangely like, and he loved his only child closely and well.
Then he roughly chid the little girl for idling there whilst her
mother needed her within, and sent her indoors crying and afraid: then,
turning, he snatched the wood from Nello's hands. "Dost do much of such
folly?" he asked, but there was a tremble in his voice.
Nello colored and hung his head. "I draw everything I see," he murmured.
The miller was silent: then he stretched his hand out with a franc in
it. "It is folly, as I say, and evil waste of time: nevertheless, it is
like Alois, and will please the house-mother. Take this silver bit for
it and leave it for me."
The color died out of the face of the young Ardennois; he lifted
his head and put his hands behind his back. "Keep your money and the
portrait both, Baas Cogez," he said, simply. "You have been often good
to me." Then he called Patrasche to him, and walked away across the
field.
"I could have seen them with that franc," he murmured to Patrasche, "but
I could not sell her picture--not even for them."
Baas Cogez went into his mill-house sore troubled in his mind. "That
lad must not be so much with Alois," he said to his wife that night.
"Trouble may come of it hereafter: he is fifteen now, and she is twelve;
and the boy is comely of face and form."
Public-domain text, read in full here on John Shaqi.
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