Man-woman relationships -- Drama; Marriage -- Drama; Norwegian drama -- Translations into English; Wives -- Drama
_Rank_ (_in the doorway_). I understood so, but evidently I was
mistaken.
_Nora_. Yes, nobody is to have the chance of admiring me in my dress
until to-morrow.
_Helmer_. But, my dear Nora, you look so worn out. Have you been
practising too much?
_Nora_. No, I have not practised at all.
_Helmer_. But you will need to--
_Nora_. Yes, indeed I shall, Torvald. But I can't get on a bit without
you to help me; I have absolutely forgotten the whole thing.
_Helmer_. Oh, we will soon work it up again.
_Nora_. Yes, help me, Torvald. Promise that you will! I am so nervous
about it--all the people--. You must give yourself up to me entirely
this evening. Not the tiniest bit of business--you mustn't even take a
pen in your hand. Will you promise, Torvald dear?
_Helmer_. I promise. This evening I will be wholly and absolutely at
your service, you helpless little mortal. Ah, by the way, first of all I
will just--(_Goes toward the hall-door_.)
_Nora_. What are you going to do there?
_Helmer_. Only see if any letters have come.
_Nora_. No, no! don't do that, Torvald!
_Helmer_. Why not?
_Nora_. Torvald, please don't. There is nothing there.
_Helmer_. Well, let me look. (_Turns to go to the letter-box._ NORA, _at
the piano, plays the first bars of the Tarantella_. HELMER _stops in the
doorway_.) Aha!
_Nora_. I can't dance to-morrow if I don't practise with you.
_Helmer_ (_going up to her_). Are you really so afraid of it, dear?
_Nora_. Yes, so dreadfully afraid of it. Let me practise at once; there
is time now, before we go to dinner. Sit down and play for me, Torvald
dear; criticise me, and correct me as you play.
_Helmer_. With great pleasure, if you wish me to. (_Sits down at the
piano_.)
_Nora_ (_takes out of the box a tambourine and a long variegated shawl.
She hastily drapes the shawl round her. Then she springs to the front of
the stage and calls out_). Now play for me! I am going to dance!
(HELMER _plays and_ NORA _dances_. RANK _stands by the piano behind_
HELMER, _and looks on_.)
_Helmer_ (_as he plays_). Slower, slower!
_Nora_. I can't do it any other way.
_Helmer_. Not so violently, Nora!
_Nora_. This is the way.
_Helmer_ (_stops playing_). No, no--that is not a bit right.
_Nora_ (_laughing and swinging the tambourine_). Didn't I tell you so?
_Rank_. Let me play for her.
_Helmer_ (_getting up_). Yes, do. I can correct her better then.
(RANK _sits down at the piano and plays. Nora dances more and more
wildly_. HELMER _has taken up a position beside the stove, and during
her dance gives her frequent instructions. She does not seem to hear
him; her hair comes down and falls over her shoulders; she pays no
attention to it, but goes on dancing. Enter_ MRS. LINDE.)
_Mrs. Linde_ (_standing as if spell-bound in the doorway_). Oh!--
_Nora_ (_as she dances_). Such fun, Christine!
_Helmer_. My dear darling Nora, you are dancing as if your life depended
on it.
_Nora_. So it does.
Public-domain text, read in full here on John Shaqi.
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