Man-woman relationships -- Drama; Marriage -- Drama; Norwegian drama -- Translations into English; Wives -- Drama
NORA.
_[coming nearer him]_. Are you sure of that?
HELMER.
My dear, I have often seen it in the course of my life as a lawyer.
Almost everyone who has gone to the bad early in life has had a
deceitful mother.
NORA.
Why do you only say—mother?
HELMER.
It seems most commonly to be the mother’s influence, though naturally a
bad father’s would have the same result. Every lawyer is familiar with
the fact. This Krogstad, now, has been persistently poisoning his own
children with lies and dissimulation; that is why I say he has lost all
moral character. _[Holds out his hands to her.]_ That is why my sweet
little Nora must promise me not to plead his cause. Give me your hand
on it. Come, come, what is this? Give me your hand. There now, that’s
settled. I assure you it would be quite impossible for me to work with
him; I literally feel physically ill when I am in the company of such
people.
NORA.
_[takes her hand out of his and goes to the opposite side of the
Christmas Tree]_. How hot it is in here; and I have such a lot to do.
HELMER.
_[getting up and putting his papers in order]_. Yes, and I must try and
read through some of these before dinner; and I must think about your
costume, too. And it is just possible I may have something ready in
gold paper to hang up on the Tree. _[Puts his hand on her head.]_ My
precious little singing-bird! _[He goes into his room and shuts the
door after him.]_
NORA.
_[after a pause, whispers]_. No, no—it isn’t true. It’s impossible; it
must be impossible.
_[The NURSE opens the door on the left.]_
NURSE.
The little ones are begging so hard to be allowed to come in to mamma.
NORA.
No, no, no! Don’t let them come in to me! You stay with them, Anne.
NURSE.
Very well, ma’am. _[Shuts the door.]_
NORA.
_[pale with terror]_. Deprave my little children? Poison my home? _[A
short pause. Then she tosses her head.]_ It’s not true. It can’t
possibly be true.
ACT II
_[THE SAME SCENE.—THE Christmas Tree is in the corner by the piano,
stripped of its ornaments and with burnt-down candle-ends on its
dishevelled branches. NORA’S cloak and hat are lying on the sofa. She
is alone in the room, walking about uneasily. She stops by the sofa and
takes up her cloak.]_
NORA.
_[drops her cloak]_. Someone is coming now! _[Goes to the door and
listens.]_ No—it is no one. Of course, no one will come today,
Christmas Day—nor tomorrow either. But, perhaps—_[opens the door and
looks out]_. No, nothing in the letterbox; it is quite empty. _[Comes
forward.]_ What rubbish! of course he can’t be in earnest about it.
Such a thing couldn’t happen; it is impossible—I have three little
children.
_[Enter the NURSE from the room on the left, carrying a big cardboard
box.]_
NURSE.
At last I have found the box with the fancy dress.
NORA.
Thanks; put it on the table.
NURSE.
_[doing so]_. But it is very much in want of mending.
NORA.
I should like to tear it into a hundred thousand pieces.
Public-domain text, read in full here on John Shaqi.
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