Man-woman relationships -- Drama; Marriage -- Drama; Norwegian drama -- Translations into English; Wives -- Drama
HELMER.
_[walking about the room]_. What a horrible awakening! All these eight
years—she who was my joy and pride—a hypocrite, a liar—worse, worse—a
criminal! The unutterable ugliness of it all!—For shame! For shame!
_[NORA is silent and looks steadily at him. He stops in front of her.]_
I ought to have suspected that something of the sort would happen. I
ought to have foreseen it. All your father’s want of principle—be
silent!—all your father’s want of principle has come out in you. No
religion, no morality, no sense of duty—. How I am punished for having
winked at what he did! I did it for your sake, and this is how you
repay me.
NORA.
Yes, that’s just it.
HELMER.
Now you have destroyed all my happiness. You have ruined all my future.
It is horrible to think of! I am in the power of an unscrupulous man;
he can do what he likes with me, ask anything he likes of me, give me
any orders he pleases—I dare not refuse. And I must sink to such
miserable depths because of a thoughtless woman!
NORA.
When I am out of the way, you will be free.
HELMER.
No fine speeches, please. Your father had always plenty of those ready,
too. What good would it be to me if you were out of the way, as you
say? Not the slightest. He can make the affair known everywhere; and if
he does, I may be falsely suspected of having been a party to your
criminal action. Very likely people will think I was behind it all—that
it was I who prompted you! And I have to thank you for all this—you
whom I have cherished during the whole of our married life. Do you
understand now what it is you have done for me?
NORA.
_[coldly and quietly]_. Yes.
HELMER.
It is so incredible that I can’t take it in. But we must come to some
understanding. Take off that shawl. Take it off, I tell you. I must try
and appease him some way or another. The matter must be hushed up at
any cost. And as for you and me, it must appear as if everything
between us were just as before—but naturally only in the eyes of the
world. You will still remain in my house, that is a matter of course.
But I shall not allow you to bring up the children; I dare not trust
them to you. To think that I should be obliged to say so to one whom I
have loved so dearly, and whom I still—. No, that is all over. From
this moment happiness is not the question; all that concerns us is to
save the remains, the fragments, the appearance—
_[A ring is heard at the front-door bell.]_
HELMER.
_[with a start]_. What is that? So late! Can the worst—? Can he—? Hide
yourself, Nora. Say you are ill.
_[NORA stands motionless. HELMER goes and unlocks the hall door.]_
MAID.
_[half-dressed, comes to the door]_. A letter for the mistress.
HELMER.
Give it to me. _[Takes the letter, and shuts the door.]_ Yes, it is
from him. You shall not have it; I will read it myself.
NORA.
Yes, read it.
Public-domain text, read in full here on John Shaqi.
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