* * * To-day I began to read Mary Johnston's _By Order of the Company_ to my bairns. I love the story, and I love the style. It reminds me of Malory's style; she has his trick of running on in a breathless string of "ands." When I think of style I am forced to recollect the stylists I had to read at the university. There was Sir Thomas Browne and his _Urn Burial_. What the devil is the use of people like Browne I don't know. He gives us word music and imagery I admit, but I don't want word music and imagery from prose, I want ideas or a story. I can't think of one idea I got from Browne or Fisher or Ruskin, or any of the stylists, yet I have found many ideas in translations of Nietzsche and Ibsen. Style is the curse of English literature. When I read Mary Johnston I forget all about words. I vaguely realise that she is using the right words all the time, but the story is the thing. When I read Browne I fail to scrape together the faintest interest in burials; the organ music of his _Dead March_ drowns everything else. When a man writes too musically and ornately I always suspect him of having a paucity of ideas. If you have anything important to say you use plain language. The man who writes to the local paper complaining of "those itinerant denizens of the underworld yclept hawkers, who make the day hideous with raucous cries," is a pompous ass. Yet he is no worse than the average stylist in writing. I think it was G. K. Chesterton who said that a certain popular authoress said nothing because she believed in words. He might have applied the phrase to 90 per cent of English writers. Poetry cannot be changed. Substitute a word for "felicity" in the line: "Absent thee from felicity awhile" and you destroy the poetry. But I hold that prose should be able to stand translation. The prose that cannot stand it is the empty stuff produced by our Ruskins and our Brownes. Empty barrels always have made the most sound. * * * There must be something in style after all. I had this note from a mother this morning. "DEAR SIR, Please change Jane's seat for she brings home more than belongs to her." I refuse to comment on this work of art. * * * I must get a cornet. Eurhythmics with an artillery bugle is too much for my wind and my dignity. Just when the graceful bend is coming forward my wind gives out, and I make a vain attempt to whistle the rest. Perhaps a concertina would be better than a cornet. I tried Willie Hunter with his mouth-organ, but the attempt was stale and unprofitable, and incidentally flat. Then Tom Macintosh brought a comb to the school and offered to perform on it. After that I gave Eurhythmics a rest.