The fifth chapter was a triumph of literary and artistic handiwork. Even
Mrs. Drake, who did not approve of the undertaking because she had to
meet the expenses of publication, felt bound to admit that, if William
had not chosen to become a great sea-captain, a certain other William,
who had written plays for a living, might conceivably have been toppled
from his eminence; for nothing could have been more thrilling than the
story of a family vault, "filled with the bones and memories of the
greatest centuries in British history," becoming first neglected, then
forgotten, and finally overgrown by brambles and nettles: a vault, let
the reader remember, not containing rude forefathers of the hamlet, but
members of the family of Drake; a vault, not situated in the Ethiopian
desert, nor abandoned within some Abyssinian jungle, but built beneath
the turf of an English churchyard hard by a simple country Bethel. This
vault became entirely lost! Summer followed spring, autumn preceded
winter, year after year, while the nettles increased, and the brambles
encroached yet more upon the consecrated ground, until the very site of
the famous vault was lost to sight--this sentence being the one literary
flaw upon an otherwise perfect chapter--and the oldest inhabitant had
ceased to tell of its existence.
Here the _History of the Parish of Highfield_ was interrupted by some
chapters dealing with the birth, education, early struggles, voyages,
adventures, success, and retirement of Captain Francis Drake; together
with an account of Mrs. Drake and her relations; with a flattering
notice of George Drake, Esquire, who was later to win renown as the
explorer of Highfield churchyard and the discoverer of the long-missing
vault. It was shown also how the Captain had been guided by Providence
to the village, formerly the home of his ancestors, and how "the lure of
the place had been nothing but the silver cord of an hereditary
attraction stretched through the centuries to reach the golden bowl of
his soul." Mrs. Drake objected to this sentence, and the printer made
still stranger stuff of it; but George upheld his uncle's contention
that poetical prose could not be out of place in a work dealing with the
origin and progress of a wayside village.
At this point the author interpolated, by means of footnotes, a few
remarks, which he owned were unconnected with the purport of his work:
Domesday Book alluded to Highfield in one deplorably curt sentence; the
church contained nothing of interest; an oak tree, which had formerly
shaded the village green, no longer existed; the views were local,
charming, and full of variety; the streams contained fish; botanists
would discover furze and heather upon the adjacent moorland; the name of
the place was derived probably from two Anglo-Saxon words which
signified a field standing in a high place.
Public-domain text, read in full here on John Shaqi.
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