A DRAMA ON THE SEASHORE
By Honore De Balzac
Translated By Katharine Prescott Wormeley
DEDICATION
To Madame la Princesse Caroline Galitzin de Genthod, nee Comtesse
Walewska. Homage and remembrances of
The Author.
A DRAMA ON THE SEASHORE
Nearly all young men have a compass with which they delight in measuring
the future. When their will is equal to the breadth of the angle at
which they open it the world is theirs. But this phenomenon of the inner
life takes place only at a certain age. That age, which for all men lies
between twenty-two and twenty-eight, is the period of great thoughts, of
fresh conceptions, because it is the age of immense desires. After that
age, short as the seed-time, comes that of execution. There are, as it
were, two youths,--the youth of belief, the youth of action; these are
often commingled in men whom Nature has favored and who, like Caesar,
like Newton, like Bonaparte, are the greatest among great men.
I was measuring how long a time it might take a thought to develop.
Compass in hand, standing on a rock some hundred fathoms above the
ocean, the waves of which were breaking on the reef below, I surveyed my
future, filling it with books as an engineer or builder traces on vacant
ground a palace or a fort.
The sea was beautiful; I had just dressed after bathing; and I awaited
Pauline, who was also bathing, in a granite cove floored with fine
sand, the most coquettish bath-room that Nature ever devised for her
water-fairies. The spot was at the farther end of Croisic, a dainty
little peninsula in Brittany; it was far from the port, and so
inaccessible that the coast-guard seldom thought it necessary to pass
that way. To float in ether after floating on the wave!--ah! who would
not have floated on the future as I did! Why was I thinking? Whence
comes evil?--who knows! Ideas drop into our hearts or into our heads
without consulting us. No courtesan was ever more capricious nor more
imperious than conception is to artists; we must grasp it, like fortune,
by the hair when it comes.
Astride upon my thought, like Astolphe on his hippogriff, I was
galloping through worlds, suiting them to my fancy. Presently, as I
looked about me to find some omen for the bold productions my wild
imagination was urging me to undertake, a pretty cry, the cry of a woman
issuing refreshed and joyous from a bath, rose above the murmur of the
rippling fringes as their flux and reflux marked a white line along the
shore. Hearing that note as it gushed from a soul, I fancied I saw among
the rocks the foot of an angel, who with outspread wings cried out to
me, "Thou shalt succeed!" I came down radiant, light-hearted; I bounded
like a pebble rolling down a rapid slope. When she saw me, she said,--
"What is it?"
Public-domain text, read in full here on John Shaqi.
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