"But see," I said, "how the winds from the sea bend or destroy
everything. There are no trees. Fragments of wreckage or old vessels
that are broken up are sold to those who can afford to buy; for costs
of transportation are too heavy to allow them to use the firewood with
which Brittany abounds. This region is fine for none but noble souls;
persons without sentiments could never live here; poets and barnacles
alone should inhabit it. All that ever brought a population to this rock
were the salt-marshes and the factory which prepares the salt. On one
side the sea; on the other, sand; above, illimitable space."
We had now passed the town, and had reached the species of desert which
separates Croisic from the village of Batz. Imagine, my dear uncle, a
barren track of miles covered with the glittering sand of the seashore.
Here and there a few rocks lifted their heads; you might have thought
them gigantic animals couchant on the dunes. Along the coast were reefs,
around which the water foamed and sparkled, giving them the appearance
of great white roses, floating on the liquid surface or resting on the
shore. Seeing this barren tract with the ocean on one side, and on the
other the arm of the sea which runs up between Croisic and the rocky
shore of Guerande, at the base of which lay the salt marshes, denuded of
vegetation, I looked at Pauline and asked her if she felt the courage to
face the burning sun and the strength to walk through sand.
"I have boots," she said. "Let us go," and she pointed to the tower of
Batz, which arrested the eye by its immense pile placed there like
a pyramid; but a slender, delicately outlined pyramid, a pyramid so
poetically ornate that the imagination figured in it the earliest ruin
of a great Asiatic city.
We advanced a few steps and sat down upon the portion of a large rock
which was still in the shade. But it was now eleven o'clock, and the
shadow, which ceased at our feet, was disappearing rapidly.
"How beautiful this silence!" she said to me; "and how the depth of it
is deepened by the rhythmic quiver of the wave upon the shore."
"If you will give your understanding to the three immensities which
surround us, the water, the air, and the sands, and listen exclusively
to the repeating sounds of flux and reflux," I answered her, "you will
not be able to endure their speech; you will think it is uttering a
thought which will annihilate you. Last evening, at sunset, I had that
sensation; and it exhausted me."
"Oh! let us talk, let us talk," she said, after a long pause. "I
understand it. No orator was ever more terrible. I think," she
continued, presently, "that I perceive the causes of the harmonies which
surround us. This landscape, which has but three marked colors,--the
brilliant yellow of the sands, the blue of the sky, the even green
of the sea,--is grand without being savage; it is immense, yet not
a desert; it is monotonous, but it does not weary; it has only three
elements, and yet it is varied."
Public-domain text, read in full here on John Shaqi.
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