He answered: “None may ask questions in this gate for fear they wake the
people of the city. For when the people of this city wake the gods will
die. And when the gods die men may dream no more.” And I began to ask
him what gods that city worshipped, but he lifted his pike because none
might ask questions there. So I left him and went back to the _Bird of
the River_.
Certainly Mandaroon was beautiful with her white pinnacles peering over
her ruddy walls and the green of her copper roofs.
When I came back again to the _Bird of the River_, I found the sailors
were returned to the ship. Soon we weighed anchor, and sailed out again,
and so came once more to the middle of the river. And now the sun was
moving toward his heights, and there had reached us on the River Yann
the song of those countless myriads of choirs that attend him in his
progress round the world. For the little creatures that have many legs
had spread their gauze wings easily on the air, as a man rests his
elbows on a balcony and gave jubilant, ceremonial praises to the sun, or
else they moved together on the air in wavering dances intricate and
swift, or turned aside to avoid the onrush of some drop of water that a
breeze had shaken from a jungle orchid, chilling the air and driving it
before it, as it fell whirring in its rush to the earth; but all the
while they sang triumphantly. “For the day is for us,” they said,
“whether our great and sacred father the Sun shall bring up more life
like us from the marshes, or whether all the world shall end to-night.”
And there sang all those whose notes are known to human ears, as well as
those whose far more numerous notes have been never heard by man.
To these a rainy day had been as an era of war that should desolate
continents during all the lifetime of a man.
And there came out also from the dark and steaming jungle to behold and
rejoice in the Sun the huge and lazy butterflies. And they danced, but
danced idly, on the ways of the air, as some haughty queen of distant
conquered lands might in her poverty and exile dance, in some encampment
of the gipsies, for the mere bread to live by, but beyond that would
never abate her pride to dance for a fragment more.
And the butterflies sung of strange and painted things, of purple
orchids and of lost pink cities and the monstrous colours of the
jungle’s decay. And they, too, were among those whose voices are not
discernible by human ears. And as they floated above the river, going
from forest to forest, their splendour was matched by the inimical
beauty of the birds who darted out to pursue them. Or sometimes they
settled on the white and wax-like blooms of the plant that creeps and
clambers about the trees of the forest; and their purple wings flashed
out on the great blossoms as, when the caravans go from Nurl to Thace,
the gleaming silks flash out upon the snow, where the crafty merchants
spread them one by one to astonish the mountaineers of the Hills of
Noor.
Public-domain text, read in full here on John Shaqi.
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