The words were uttered not loudly, but with such clearness of
intonation that, proceeding from her as she stood there all
alone in the outer darkness, and addressed apparently to the
circumambient air, they might have produced on unintentional
listeners not an agreeable effect. She turned, making as if to
insert the key which she still held into the lock of the door
behind her, to find that the door already stood wide open, and
that in the hall beyond there was a faint light which was just
sufficient to render objects visible.
In her normal condition the fact that the door had seemingly
opened of its own accord would have occasioned her something
more than wonder; she would at least have taken it for granted
that somewhere in its immediate neighbourhood were helping
hands; and she would promptly have set herself to discover to
whom they belonged, and just where their owners might be found.
In her then state no notion of the kind seemed to enter her
brain. That the fact that the door was open occasioned her
surprise was obvious; but it was surprise of a singular quality,
and it was accompanied by abject terror. The woman seemed all at
once to become stunted, to shrink into sheer physical
insignificance.
"Cuthbert Grahame," she muttered, "why did you open the door?
How did you get out of your bed to open the door?" With a sound
which was part wail, part sob, she stumbled across the threshold
into the hall. "Where shall I go? Shall I go into the room into
which I first went on that first night? Perhaps I'll be safe in
there--perhaps I'll be safe. I don't want to go upstairs--not
yet--not just yet. I daren't--I daren't. Listen! how he calls to
me--how he calls."
She glanced up the staircase, which she approached even while
she shrank from it, and she saw, in the dim, mysterious light,
leaning over the banister, looking down at her from above, a
woman's face--Nannie Foreshaw. She did not stop to ask herself
if the appearance might by any chance be real, a creature of
warm flesh and blood. It was some moments before she realised
who it was that looked at her. When she did, the presence there
was so unexpected, so wholly unforeseen, and thrust so deeply at
her conscience, that it is not impossible that the mere shock
which resulted from the sight was sufficient to disintegrate her
few remaining wits. She at once took it for granted that she was
gazing at a spectre, a shade returned from the tomb to afflict
her before her time. Cowering back against the wall, she broke
into screams of agony.
"Nannie! Nannie!--I didn't kill you!--I didn't kill you! Don't
look at me like that!--don't! don't! don't!" Covering her face
with her hands, she began to sob with such violence that one
could see her shaking as she leaned against the wall. When,
removing her hands, she again ventured to look up, there was no
one there. "She's gone! she's gone!"
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account