A Duet, with an Occasional ChorusDoyle, Arthur Conan
General
A Duet, with an Occasional Chorus
Doyle, Arthur Conan
Married people -- Fiction
Then turning to the right at the end of the Statesmen’s Transept, they
wandered aimlessly down the huge nave. It was overwhelming, the grandeur
of the roof above and of the contents below. Any one of hundreds of
these tombs was worth a devout pilgrimage, but how could one raise his
soul to the appreciation of them all. Here was Darwin who revolutionised
zoology, and here was Isaac Newton who gave a new direction to astronomy.
Here were old Ben Jonson, and Stephenson the father of railways, and
Livingstone of Africa, and Wordsworth, and Kingsley, and Arnold. Here
were the soldiers of the mutiny—Clyde and Outram and Lawrence,—and
painters, and authors, and surgeons, and all the good sons who in their
several degrees had done loyal service to the old mother. And when their
service was done the old mother had stretched out that long arm of hers
and had brought them home, and always for every good son brought home she
had sent another forth, and her loins were ever fruitful, and her
children loving and true. Go into the Abbey and think, and as the
nation’s past is borne in upon you, you will have no fear for its future.
Frank was delighted with some of the monuments and horrified by others,
and he communicated both his joy and his anger to Maude. They noticed
together how the moderns and the Elizabethans had much in common in their
types of face, their way of wearing the hair, and their taste in
monuments, while between them lie the intolerable affectations—which
culminated towards the end of last century.
‘It all rings false—statue, inscription, everything,’ said Frank. ‘These
insufferable allegorical groups sprawling round a dead hero are of the
same class as the pompous and turgid prose of Doctor Johnson. The
greatest effects are the simplest effects, and so it always was and so it
always will be. But that little bit of Latin is effective, I confess.’
It was a very much defaced inscription underneath a battered Elizabethan
effigy, whose feet had been knocked off, and whose features were blurred
into nothing. Two words of the inscription had caught Frank’s eye.
‘_Moestissima uxor_! It was his “most sad wife” who erected it! Look at
it now! The poor battered monument of a woman’s love. Now, Maude, come
with me, and we shall visit the famous Poets’ Corner.’
What an assembly it would be if at some supreme day each man might stand
forth from the portals of his tomb. Tennyson, the last and almost the
greatest of that illustrious line, lay under the white slab upon the
floor. Maude and Frank stood reverently beside it.
‘“Sunset and evening Star
And one clear call for me.”’
Frank quoted. ‘What lines for a very old man to write! I should put him
second only to Shakespeare had I the marshalling of them.’
‘I have read so little,’ said Maude.
Public-domain text, read in full here on John Shaqi.
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