A Duet, with an Occasional ChorusDoyle, Arthur Conan
General
A Duet, with an Occasional Chorus
Doyle, Arthur Conan
Married people -- Fiction
In the base of the statue is an iron door, which has been thrown open,
and the sculptor’s art has succeeded wonderfully in convincing you that
it has been thrown open violently. The two leaves of it seem still to
quiver with the shock, and one could imagine that one heard the harsh
clang of the metal. Out of the black opening had sprung a dreadful
thing, something muffled in a winding-sheet, one bony hand clutching the
edge of the pedestal, the other upraised to hurl a dart at the woman
above him. She, a young bride of twenty-seven, has fallen fainting,
while her husband, with horror in his face, is springing forward, his
hand outstretched, to get between his wife and her loathsome assailant.
‘I shall dream of this,’ said Maude. She had turned pale, as many a
woman has before this monument.
‘It is awful!’ Frank walked backwards, unable to take his eyes from it.
‘What pluck that sculptor had! It is an effect which must be either
ludicrous or great, and he has made it great.’
‘Roubillac is his name,’ said Maude, reading it from the pedestal.
‘A Frenchman, or a man of French descent. Isn’t that characteristic! In
the whole great Abbey the one monument which has impressed us with its
genius and imagination is by a foreigner. We haven’t got it in us. We
are too much afraid of letting ourselves go and of giving ourselves away.
We are heavy-handed and heavy-minded.’
‘If we can’t produce the monuments, we can produce the men who deserve
them,’ said Maude, and Frank wrote the aphorism down upon his shirt-cuff.
‘We are too severe both in sculpture and architecture,’ said he. ‘More
fancy and vigour in our sculptors, more use of gold and more ornament in
our architects—that is what we want. But I think it is past praying for.
It would be better to subdivide the work of the world, according to the
capacity of the different nations. Let Italy and France embellish us.
We might do something in exchange—organise the French colonies, perhaps,
or the Italian exchequer. That is our legitimate work, but we will never
do anything at the other.’
The guide had already reached the end of his round, an iron gate
corresponding to that by which they had entered, and they found him
waiting impatiently and swinging his keys. But Maude’s smile and word of
thanks as she passed him brought content into his face once more. A ray
of living sunshine is welcome to the man who spends his days among the
tombs.
Public-domain text, read in full here on John Shaqi.
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