You have watched a child playing--in those wondrous years when belief is not bound to the eyes and the ears, and the vision divine is so clear and unmarred, that each baker of pies in the dirt is a bard? Give a knife and a shingle, he fits out a fleet, and, on that little mud-puddle over the street his fancy, in purest good faith, will make sail round the globe with a puff of his breath for a gale, will visit, in barely ten minutes, all climes, and do the Columbus-feat hundreds of times. Or, suppose the young poet fresh stored with delights from that Bible of childhood “The Arabian Nights,” he will turn to a crony and cry, “Jack, let’s play that I am a Genius!” Jacky straightway makes Aladdin’s Lamp out of a stone, and, for hours, they enjoy each his own supernatural powers. This is all very pretty and pleasant, but then suppose our two urchins have grown into men, and both have turned authors,--one says to his brother, “Let’s play we’re the American somethings or other,--say Homer or Sophocles, Goethe or Scott (only let them be big enough no matter what). Come, you shall be Byron or Pope, which you choose: I’ll be Coleridge, and both shall write mutual reviews.” So they both (as mere strangers) before many days send each other a cord of anonymous bays. Each, piling his epithets, smiles in his sleeve to see what his friend can be made to believe; each, reading the other’s unbiased review, thinks--Here’s pretty high praise, but no more than my due. Well, we laugh at them both, and yet make no great fuss when the same farce is acted to benefit us. Even I, who, if asked, scarce a month since, what Fudge meant, should have answered, the dear Public’s critical judgment, begin to think sharp-witted Horace spoke sooth when he said that the Public _sometimes_ hit the truth. In reading these lines, you perhaps have a vision of a person in pretty good health and condition; and yet, since I put forth my primary edition, I have been crushed, scorched, withered, used up and put down (by Smith with the cordial assistance of Brown), in all, if you put any faith in my rhymes, to the number of ninety-five several times, and, while I am writing,--I tremble to think of it, for I may at this moment be just on the brink of it,--Molybdostom, angry at being omitted, has begun a critique,--am I not to be pitied?[1]