“There is Lowell, who’s striving Parnassus to climb With a whole bale of _isms_ tied together with rhyme, He might get on alone, spite of brambles and boulders, But he can’t with that bundle he has on his shoulders, The top of the hill he will ne’er come nigh reaching Till he learns the distinction ’twixt singing and preaching; His lyre has some chords that would ring pretty well, But he’d rather by half make a drum of the shell, And rattle away till he’s old as Methusalem, At the head of a march to the last new Jerusalem. “There goes Halleck, whose Fanny’s a pseudo Don Juan, With the wickedness out that gave salt to the true one, He’s a wit, though, I hear, of the very first order, And once made a pun on the words soft Recorder; More than this, he’s a very great poet, I’m told, And has had his works published in crimson and gold, With something they call ‘Illustrations,’ to wit, Like those with which Chapman obscured Holy Writ,[4] Which are said to illustrate, because, as I view it, Like _lucus a non_, they precisely don’t do it; Let a man who can write what himself understands Keep clear, if he can, of designing men’s hands, Who bury the sense, if there’s any worth having, And then very honestly call it engraving. But, to quit _badinage_, which there isn’t much wit in, Halleck’s better, I doubt not, than all he has written; In his verse a clear glimpse you will frequently find, If not of a great, of a fortunate mind, Which contrives to be true to its natural loves In a world of back-offices, ledgers, and stoves. When his heart breaks away from the brokers and banks, And kneels in his own private shrine to give thanks, There’s a genial manliness in him that earns Our sincerest respect (read, for instance, his ‘Burns’), And we can’t but regret (seek excuse where we may) That so much of a man has been peddled away.