American fiction -- 19th century; Artists -- Fiction
Stanton's concluding words were as incense to Van Berg, for he
prided himself in no slight degree on his even pulse and sensible
heart, that, thus far, had given him so little trouble; and he therefore
replied, with a certain tinge of complacency and consciousness of
security:
"You know me well enough, Ik, to be aware that I am becoming almost
a monomaniac in my art. A woman's face is to me little more than
a picture which I analyze from an artistic stand-point. A MERELY
PRETTY face is like a line of verse of musical rhythm, but without
sense or meaning. This is bad and provoking enough; but when
the most exquisite features give expression only to some of the
meanest and unworthiest qualities that can infest a woman's soul,
one is exasperated almost beyond endurance. At least I am, for I
am offended in my strongest instincts. Think of employing stately
Homeric words and measure in describing a belle's toilet table with
its rouge-pots, false hair, and other abominations! Much worse is
it, in my estimation, that the features of a goddess should tell
us only of such moral vermin as vanity, silliness, and the egotism
of a poor little self that thinks of nothing, and knows nothing
save its own small cravings. Pardon me, Ik; I am not speaking of
your cousin but in the abstract. In regard to that young lady,
as you saw, I was very much struck with the face. Indeed, to tell
the honest truth, I never saw so much beauty spoiled before, and
the fact has put me in so bad a humor that you, no doubt, are glad
I have reached my corner and so must say good-night."
"Ida Mayhew can realize all such abstractions," muttered Ik Stanton,
as he walked on alone.
The reader will be apt to surmise, however, that some resentment,
resulting from his former and unrequited sentiment towards the
girl, gave an unjust bias to his judgement.
Chapter III. An Artist's Freak.
Van Berg's night-key admitted him to a beautiful home, which he
now had wholly to himself, since his parents and sister had sailed
for Europe early in the spring, intending to spend the summer
abroad. The young man had already travelled and studied for years
in the lands naturally attractive to an artist, and it was now his
purpose to familiarize himself more thoroughly with the scenery of
his own country.
Public-domain text, read in full here on John Shaqi.
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